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San Diego Audubon Bird Festival

This is the week of the San Diego Birding Festival at the Marina Conference Center right on Mission Bay.  The keynote speaker will be David Allen Sibley, the artist and author of the Sibley field guides to the birds of North America, which are considered some of the top field guides available.  Many of the field trips are full, but there are spaces left and last-mintue cancellations, plus there’s lots to do at the Festival besides field trips: lectures, workshops, local self-guided birding, and shopping — come by Three Star Owl and say Hi!

I’ve got the usual assortment of owls, non-owl birds (!), and reptiles, plus I’ve included some coastal and California species for the occasion, like the Eared Grebe hanging tile pictured here.  Also, this show marks the West Coast debut of “rat-dogs” — generic mammal-form pieces that look like they might bite, or communicate a disease.  Take one home if you dare.

For more details, see here and here.

Posted by Allison on Mar 3rd 2009 | Filed in art/clay,birding,Events,three star owl | Comments Off on San Diego Audubon Bird Festival

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Profile Allison does not consider herself a wildlife artist, but an observer who takes notes in clay. More info...

Stacked toad teapot effigy and the mathematics of artistic license

The Stacked Toad Teapot Effigy is alive and well, so far.

After languishing at the back of a shelf in the studio for many weeks wrapped in damp paper towels and layers and layers of plastic film, the Stacked Toad Teapot Effigy has finally been fully sculpted and is drying, awaiting further surface treatment (terra sigillata and slips) and firings.  Between the last episode and now, I’ve added a new under-toad hanging upside down off of the main toad’s belly, and refined the detail of the piece, textured all the toads, and cleaned up the crannies.

If you’re having a tough time seeing why it’s a teapot effigy (and it is Toadlier than Teapotly), here’s a visual aid:

Remember the issue of pentadactyly in the studio and the fact that unlike the majority of tetrapods toads have only 4 digits on their front pair of limbs?  Here are the final numbers:  Potential (actual biological) toe count: 7 (# of toads) x 18 (# of toes each toad has) = 126!!  One hundred and twenty six toes on a piece that’s less than 12″ tall!  Yikes!  Does it have 126 toad toes?  No: Actual toe count = 108:   This is known as artistic license which can also be expressed as Biological digit defecit: 14.3%.  A close call! — it’s generally considered that greater than 15% and it becomes Grossly Inaccurate (over 25% and it’s just Wrong). There are, however, the requisite number of paratoid glands — 14 — in case you were wondering.  And, the flying insect “finial” has no toes at all — too tiny.

Posted by Allison on Mar 2nd 2009 | Filed in art/clay,effigy vessels,increments,reptiles and amphibians,three star owl | Comments Off on Stacked toad teapot effigy and the mathematics of artistic license

One last Sarcoramphus peek…

…just because this photo of Jack’s King vulture waiting to be taken home makes me laugh.

Posted by Allison on Mar 2nd 2009 | Filed in art/clay,birds,close in,effigy vessels,increments,three star owl | Comments Off on One last Sarcoramphus peek…

Scoter addendum — the Arizona angle

In the last post on scoters, I forgot to add that there is a surprising Arizona angle to these sea ducks. Some years, one or two are found wintering or in transition on desert lakes around and about the state.  They are categorized as “casual” here.  This winter (Dec. ’08), there was a handful of female or immature-type Black scoters (white cheek patches) seen along the Colorado River near Parker Dam, and a White-winged scoter at Kearney Lake east of Phoenix (Jan. ’09; white cheek patches and white on the wings).

Arizona lakes and rivers contain populations of what are locally called “mussels”, both native and non-native bottom-dwelling bivalves.  Presumably these are what these wayward scoters are living on.

The bird above is a well-documented female Black scoter (Melanitta nigra), photographed at Butcher Jones Recreation Area on Saguaro Lake NE of Phoenix in October 2007.  Find more info and photos at the Arizona Field Ornithologists page.  If you’d like to check out the view or hike or kayak from Butcher Jones beach, here is a link with a map and other info.  Saguaro Lake is an excellent place for birding and hiking Fall through Spring.

Etymology

The etymology of the word “scoter” is obscure, with no satisfactory concensus. The scoter genus, Melanitta, is a Greek compound from Gr. melas, black, and “nitta” which Choate says “appears to be a misspelling for Gr. netta, duck”.  Most scoters are mostly or entirely black, so the choice is apt.  The Black scoter species, nigra, is the feminine form of Latin niger, black, which makes it a black black-duck.  The Surf scoter species, perspicillata, is from Latin and means “conspicuous” (like the Spectacled owl, Pulsatrix perspicillata).  They should just get it over with and say “clownlike”, right?

Photo: A. Shock/Three Star Owl

Posted by Allison on Feb 25th 2009 | Filed in birding,birds,close in,etymology/words,field trips,natural history | Comments Off on Scoter addendum — the Arizona angle

Bonus pervious nostril!

I’ve been working hard on pieces for the San Diego Audubon Birding Festival, which is coming right up.  While glazing a wall tile with the portrait of a male Surf scoter and looking at photo resources of scoters, I realized I was being treated to another pervious nostril!

It doesn’t show so much in this photo, but scoters, like cathartid vultures, have pervious, or “see-through” nostrils.  In Audubon’s professionally terse words:

Nostrils sub-medial, elliptical, large, pervious, near the ridge.

–John James Audubon, Birds of America, Family XXXIX. ANATINAE. DUCKS. GENUS V. FULIGULA. SEA-DUCK.

If you don’t know scoters, they’re sturdy North American sea ducks who breed in Alaska and northern Canada and winter along both coasts of the U.S.  They dive for a living.  The picture above, by photographer Alan D. Wilson, is a male Surf scoter (Melanitta perspicillata) at Bolsa Chica reserve, in California.  It shows the handsome bird with what is too frequently described as a “clownish bill”, gliding in the blue backwater of Bolsa Chica Wetlands.  If you’re wondering why the “clownish bill” is so big, scoters eat hard food, some of which — like blue mussels — needs to be pried off of rocks underwater.  In summer, they favor marine invertebrates, in winter, mostly molluscs.

As for the pervious nostril in scoters, I haven’t turned up a definitive discussion yet, but most sea birds need to rid their systems of salt, often by sneezing or dribbling it out through the nostrils, and have evolved various nostrillar adaptions (again, a technical term) to do so: pervious nostrils would not easily become clogged with expelled salt crystals.

To the left is Audubon’s plate of Surf scoters — at the time called Surf Ducks — from Birds of America

Three Star Owl will be at the San Diego Birding Festival in Mission Bay San Diego, 5-8 March 2009.

Posted by Allison on Feb 23rd 2009 | Filed in birds,close in,Events,natural history,three star owl | Comments (1)

Yard list: Dinky Dudes of the Desert

When I left the Mississippi River Valley to come back to the West, I thought, Hmmmmm, no chickadees in the low desert.  What’s that going to be like?

We were very accustomed to Carolina chickadees as ever-present “fee-bay-fee-bee”-ers in our St. Louis yard.  They accompanied us on hikes; we heard them in the parks, they were everywhere, all year round — active little birds that deserve the gooey description “perky”, sociable to the point of seeming to boldly hang with people if there was seed to be had (safflower, yum!), or nesting fluff (white dog hair, good!). And in Berkeley and Santa Cruz, we’d encountered Chestnut-backed Chickadees frequently.  So when we got to Phoenix it seemed strange to not have “dees” about the place.

But we didn’t need to worry — here we have Verdin (Auriparus flaviceps).   The default little gray bird of the Sonoran desert is taxonomically unrelated to chickadees, but they are superficially like them in that they are small, predominantly gray, active birds who are common permanent residents in their habitat, vocal, and fairly unabashed by humans.  In fact, though they aren’t related, the Verdin’s genus, Auriparus, means “golden parid”, or chickadee-like bird (Chickadees and Titmice are members of the family Paridae.)

“Small” may not be emphatic enough: tiny, or even dinky (the technical term) is more like it.  Verdin are in fact among the smallest of North American song birds: bigger than hummingbirds, but that’s about it.  They flit and glean busily among the thorny green-branched desert trees emitting chip notes and a three-note call that’s frequent and loud considering the size of its source.  Their sounds, along with the mechanical Drr-brrr-drr-brr-drr of cactus wrens and the Curve-billed thrasher’s quick “whit-wheat”, means home to me.

The photo at the top of the post, taken in our yard, is of a male doing nestling-feeding duties — you can see he’s got a little something in his beak.  He was so busy he allowed me to approach fairly closely, and you can see one of the most excellent things about Verdin: the color of their head.  They aren’t called  “flaviceps” (Latin for “yellow-head”) for nothing.  But it’s not just yellow, it’s a very particular sort of golden yellow — slightly green and slightly gray, too, mustard, perhaps, and by some amazing biological coincidence, it’s exactly the color of Creosote blossoms, as if the birds used them to powder their heads.  The bird above is in a creosote bush (Larrea tridentata), and though most of the blooms have become white seed puffs, you can still see a few yellow flowers over the Verdin’s back.  They exactly match his head.  You can also see another colorful field mark, his sharp little chestnut epaulette.  Both the head color and the epaulette are vivid in the close-up image here (photo by T.Beth Kinsey, from the always excellent Firefly Forest).  Notice the narrow, sharp beak of a gleaner, rather than the sturdy beak of a seed-cracker.

As bright as these plumage features seem in photos, they are not always easily seen in the field, unless you’re equipped with binoculars.  So, many folks don’t notice this industrious little desert-gleaner working above their heads in their xeric yards.  What is very easily seen are the nests of Verdins — messy round stick-wads built in thorny trees and shrubs, often placed out towards the end of branches, to catch cooling breezes.  Verdin are prolific nest-builders, and often have a couple underway at the same time.  They build both breeding nests and roosting nests, and you might say they’ve got a complex nest-culture.  The male starts a sample nest which the female helps him finish, probably strengthening the pair bond.  Here’s a photo of an active breeding nest in our yard with noisy hatchlings in it.  The adult birds are hard to pick out, but the same little gray papa in the top photo is hanging in the “front door” along with the female — you have to imagine away the foreground branch of the Little leaf Palo Verde that’s blooming.  The nest is the wad of brown sticks against the blue sky, and the nest opening is at the bottom of the wad, which is where you can see the gray backs of the parents (click to enlarge the photo; it’s easier to see the birds). The low placement of the nest openings make them rain-sheltered and somewhat protected from larger winged predators.

The materials Verdin use for the exterior of their nests are the same ones Cactus wrens prefer for their own, so Verdin nests under construction in spring are often the focal point of theiving-and-chasing interaction between the two species.  In general, Cactus wrens seem to enrage Verdin, and the smaller birds will gang up on any wren they find in their area — nesting material isn’t the only thing Cactus wrens will snatch out of Verdin nests.

Verdins enjoy a variety of food sources besides gleaning bugs and larvae from foliage.  They take a sip of nectar now and again, and often hop around inside the stems of Chuparosa, robbing the sweet nectar from the base of the red flowers (they’re delicious — pop a whole Chuparosa flower into your mouth sometime; they taste like sweet cucumbers).  And we frequently see them hanging upside down from the hummingbird feeders, sipping the drips on the bottom after the sloppy Gila woodpeckers are through.  This acrobatic hanging upside down of Verdins is a family trait — they are the only North American representative of the family Remizidae, or Penduline tits.  Whatever that may sound like, it actually means little birds that hang upside down.

So, although the desert has no chickadees, we’ve got other little gray birds. ( And I haven’t even mentioned gnatcatchers, Bushtits, and Lucy’s warblers…)  But Arizona is not “dee-free”.  When we need a hit of chickadee or titmouse, we have choices — there is actually one more species of Paridae here than in the Midwest: Mountain chickadees in the high pine forests above the Mogollon Rim, Juniper titmice on the Colorado Plateau, the fantastic Bridled titmouse (yes, its ornate facial markings put the Plain titmouse to shame!) in the evergreen oak woodlands of the foothills and mountains of central and southern Arizona, and even a small population of Mexican chickadees in the Chiricahua Mountains of southeastern Arizona.  All we need to do is go uphill and it’s ‘Dee-a-Rama!

Posted by Allison on Feb 21st 2009 | Filed in birds,close in,etymology/words,natural history,nidification,yard list | Comments (1)

Three Star Owl is Guest Blogger on Birdchick.com!

Great news!  Sharon Stiteler of Birdchick.com fame ran a contest for guest-bloggers while she’s out of the country, and Three Star Owl is her selection for Friday’s guest post!  Regular Three Star Owl readers will recognize the entry as a post from this web journal, Vertical Napping Bark, which is one of my favorites because of the lucky shot of the Great horned owl with downy chick in a snag, demonstrating the beauty of Owly Invisibility very well.

[The image to the right is a digitally-altered photo of the breast feather vermiculation (= Latin for “wormy pattern”) that makes Great horned owls so invisible.]

If you’ve found your way to Three Star Owl from the Birdchick site, Welcome (Cranky Owlet says Hmph!), and take a look around: there’s lots of birdy art in the Gallery and Shop, and posts at the Journal on a variety of topics like birds, clay art, natural history and more!  Make yourself at home, and come back any time.

Thanks, Sharon, and have a great time in Guatemala!

Oh, and in my excitement, I forgot to mention that Swarovski Optik, makers of excellent binox and scopes, and beeooteeful crystal, is helping Sharon sponsor the contest.

Posted by Allison on Feb 20th 2009 | Filed in art/clay,birding,cranky owlet,owls,three star owl | Comments Off on Three Star Owl is Guest Blogger on Birdchick.com!

Increments: Color me vulture, finally

Here are the exciting final steps of Jack’s King Vulture.  (Previous increments can be viewed and read about here.)

This first photo, Increment 3, is a close-up of what the piece looks like after it’s been bisqued (fired the first time) and then glazed. Pretty crappy looking, isn’t it?  That’s because glaze is a chalky-looking liquid suspension made of clay, mineral pigments and oxides, a flux or glassy component to create various levels of gloss after melting, plus water. If Pepto Bismol came in a lot of different icky-pale flavors, they would look like glazes. Because of this, glazing a piece you’ve already spent hours on can be an act of faith, and once the raw glazes are on, it’s often hard to escape the feeling that now you’ve gone and ruined it, which sometimes you have.  Fortunately the more you glaze, the better able you are to predict what the chalky colors will look like after firing, so the more you trust the materials and the process (=faith, for a potter).  It’s only after the final firing that the glaze colors take on any kind of brightness and glassy quality. Here is Increment 4, Jack’s finished King Vulture, Sarcoramphus papa, photographed in the wilds of Scottsdale:

Check out the pale eye, it’s not a mistake: the King Vulture’s iris is white, which to our eyes looks pretty weird.  In Mayan glyphs King Vultures are readily identifiable not only by the fleshy knob or caruncle atop their strong, hooked beak, but also by the bold concentric depiction of the staring white eye.  Below is a plate from Animal Figures in the Maya Codices by A.M. Tozzer and G.M. Allen (1910) that shows a selection of Mayan King Vulture glyphs.  Of course, I’m not an expert, but Tozzer and Allen report that the King Vulture represents Cib, the 13th day of the month.  And, on an ornithological note, figure 4 in the plate below shows a King Vulture entwining necks with an Ocellated turkey, the turkey of the Maya, which puts our Wild Turkey of North America to shame in terms of colorful plumage and warty wattly facial skin, which is saying something.  I photographed the Ocellated turkey below at Chan Chich in Belize, where they inhabit the immediate area along with King Vultures, like the one in a previous post who tried to hide behind a leaf.

Ocellated turkey, Chan Chich.  Photo by A. ShockBy the way, if you live in the Phoenix area, there are two King Vultures on display in a large aviary at the Phoenix Zoo.  You could drop in any time to visit them.  E and I just did, on Valentine’s Day.  I guess we missed Cib by one day!


Posted by Allison on Feb 19th 2009 | Filed in archaeology,art/clay,birds,effigy vessels,increments,three star owl | Comments (1)

Watch for the Pseudopod Waltz logo…

…your guarantee it’s a genuine artefaux.

Pseudopod waltz…you never know which foot is when.

Watch for it.  It’s the only way you’ll know…

Posted by Allison on Feb 17th 2009 | Filed in art/clay,artefaux,oddities,pseudopod waltz | Comments Off on Watch for the Pseudopod Waltz logo…

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