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“You never know which foot is when”

That’s the motto of The Pseudopod Waltz logo:

Remember it! It’s your sign of quality Three Star Owl fiction (what “quality” I’ll leave up to the reader).  Up until this point, there are two illustrated, serialized stories in this space:

The Ganskopf Incident, which ran in eight short episodes and an epilogue, and is complete (or is it?).  In  personal notes and sketches for an illustrated article on “owl fetishes”, a museum illustrator recounts events at the obscure Ganskopf Institute, involving its librarian Miss Laguna, the sleek and enigmatic scholar Dr. Darius Danneru, a particular artifact, and a cup of tea.  It can be read in its entirety by clicking on The Ganskopf Incident category (under T for The!)  in the left-hand sidebar, or by clicking here.

There is also the currently running What Happened at Beit Bat Ya’anah.  Its longer, more complex storyline is a prequel to The Ganskopf Incident: it begins the story which ends in The Ganskopf Incident (or does it?). During the Lebanese conflict in the early 1980s, professor Einer Wayfarer — an expert in the study of a mysterious extinct language and its arcane body of literature — is convinced by an eccentric colleague to visit a remote and unpromising archeological site deep in the Negev Desert of Israel, in order to examine an artifact which may be of some importance to her field. This tale can be read by clicking the Beit Bat Ya’anah category in the left-hand sidebar, or by clicking here.  The next episode, part 10, “Ptitim with Amit”, will be appearing shortly.

In order to begin at the beginning of each story, the structure of the blog archives requires you to scroll down to the bottom of the page, then click “previous” to move back in time to the earliest posts.  You will need to go back several pages in each story line, and then read from the bottom up.

So claim the comfy chair, get yourself a cup of tea (some luxurious green rooibos, perhaps?) or something stronger (like arak, if that’s more your taste) and enjoy the journey!

Posted by Allison on Jul 20th 2011 | Filed in art/clay, artefaux, pseudopod waltz | Comments (1)

What Happened at Beit Bat Ya’anah: part 9

This is the ninth installment of a series. There’s a link at the bottom of the page to the next installment.  Or, to read from the very beginning, click here.

Previously:

Professor Einer Wayfarer wouldn’t be needing a ride back to Beer-Sheva right away: she’d found her “artifact with an accent” after all.

The Trenches

Once again, Einer Wayfarer stood on the top of the breezy ridge looking down on the gridded balks of Beit Bat Ya’anah with Wilson A. Rankle. This time, however, the director’s combover was safely encased in his hat and Wayfarer, instead of plotting a swift retreat, was planning the next few days, the about-face brought on by finally comprehending what – or, rather whom – Avsa Szeringka wanted her to see. She indicated one square of the grid below, an outlier, dug into the edge of the ridge, facing west and the mouth of the wadi.

“All right,” Rankle said, “but you know they’re only sinking a survey down through a midden? Outside a poorly preserved Iron Age house wall? Pretty tedious stuff. That’s where your little amphora handle came from.”

Wayfarer knew that, of course; it was one of the reasons she had elected to help in Area D. That, and who she saw down in the square. But she only said, “As a neophyte, excavating a trash pit sounds appropriate.” How much trouble could one get into excavating garbage? Also, she thought it would be interesting to observe what people rejected as undesirable.

Rankle grunted. “Up to you. Rory Zohn’s the Area Supervisor. He knows what he’s doing, at least; he’ll show you.”

“The big one. With the Ashurnarsipal beard?”

The dig director nodded, and moved off. “The only one doing any real work.”

This was only partly true. As she stumped down to Area D in her thick-soled, practical shoes with the morning sun already beastly on her shoulders, Wayfarer could see three people in the 5 meter square pit. One was the earnest undergrad Eric, on his knees, band-aids stuck to his wasp-stung neck, intently leveling a one meter-square patch of dirt with a trowel. Eric was dwarfed by big Rory Zohn, his tee shirt soaked with sweat, sweat darkening his boonie hat above forehead and ears, pale dirt coating the sweaty hairs on his sturdy forearms. Rory was taking careful measurements between obscure features in the soil of this precise square within a square, trying to manage the tape measure, refer to a hinged card printed with color swatches, and record numbers on a loose scrap of paper on his knee, all at the same time. He dropped the card, swore, and let it lie there. With no clipboard, the paper kept flapping, eluding his pencil, and Wayfarer could hear him swearing repeatedly and with gusto under his breath each time the paper blew up off his leg.

The third person was seated on a small metal gear box, leaning against the shady south balk, with a drawing board on his knees. A broad straw hat with a low beehive crown was pulled down over his face, his limbs were sheathed in long sleeves and trousers; the only bits of skin visible were relaxed fingers no longer holding a pencil — which had rolled onto the gridded plan clipped to the board and which was in danger of going over the edge — and brown toes encased in the unhip footgear Wayferer’s running shoe- or Birkenstock-shod students would snigger at as “euroboy sandals”. As she arrived at the bottom of the ladder, the pencil did roll off into the dirt, but the sleeper didn’t notice.

Rory did. “Dammit, Dario, wake the hell up,” he barked. Getting no response he chucked a pebble. The sleeper didn’t notice that, either. Rory griped, “I’ve been calling out numbers for half and hour… He probably didn’t get any of them…”

“Give me the paper,” said Wayfarer. “Read out your numbers and I’ll write them.” She studied the sleeping figure and on the basis of footgear alone, she was certain that he was last night’s nocturnal wildlife. “The missing Dario?” she asked.

“Yep; accounted for, but not truly present.” Rory said, handing her the paper, and beginning the backlog aloud. “Data point A13: twelve-point-five centimeters; soil color change. 5Y 9stroke2.” This last was off the card with the colored squares. “Or, no, hell; maybe 8/2? — it’s dried since we exposed it. He should be doing this; he’s got way more aptitude for that Munsell card crap than I do.”

Wayfarer supposed “he” meant the sleeper, who currently gave the impression his aptitude was mainly for shirking. Turning to the job at hand, she dutifully recorded, but didn’t offer an opinion on Rory’s color match – she couldn’t even distinguish the feature he was coordinating. “Do you want me to extract the drawing board?” she asked.

Rory shook his head. “No, let him sleep; he’s more trouble when he’s awake. And we’ve got all the features on there already; I’ll transfer the numbers in the lab tonight. It sucks, because his writing’s neater than mine. Wee Willie Rankle’ll…” he trailed off, belatedly circumspect in the presence of seniority. “I don’t know what the hell he does to get so wiped out every weekend,” he added, not meaning Dr. Rankle.

The professor remembered the strong odor of strong spirit in the dark, but she didn’t say anything.

The team of three, hats close together, worked efficiently for the rest of the morning; the undergrad Eric alternately scraping and pausing for Rory to measure, while Wayfarer recorded careful notes of the measurements, sieved small quantities of soil when asked, and helped the others use the chart to categorize the slight color changes in each soil layer. Before long, she understood why her archæological colleagues at MacCormack were mildly infuriated by the popularity of Indiana Jones and his lost Ark: the movie that was currently boosting public interest and suddenly filling previously under-enrolled university courses in the archæology of Egypt and the Holy Land clearly bore no resemblance to real-life excavation. There certainly were no lost treasures in sight here; not even any intact pottery, and positively no excitement. By the end of the work day – around 12.30 – the Area D team had excavated four more centimeters down in one half of the one-meter square, identified a small ash pit with possible bird bones and some carbonized twigs, compiled a long series of non-subjective numbers coordinated to their grid, and a unimpressive pile of gray ceramic shards in a bucket, labeled.

Professor Wayfarer knew she’d never spent six hours so tediously in her life. Well, maybe at Worley’s session at the spring ESSA conference, but at least that debacle had been air conditioned, and within steps of the hotel bar. She straightened her stiff knees, unkinked her aching back and stood, light-headed from unaccustomed hunched labor in 100 degree heat. Her skull throbbed, and she had no hope of anything to drink with lunch but reconstituted syrupy fruit juice, the ubiquitous mits.

Behind her, the sleeper stirred, his sandals scraping gritty soil. He’d been so still for so long that they’d forgotten about him.

“Who says archæology doesn’t prepare you for the real world?” said Rory, mopping his heat-pink face with a faded bandana. “Now there’s a marketable job-skill: sleeping for six hours balanced half-assed on an ammo crate.”

“There’s a huge enormous wasp on his shoulder,” Eric observed, still gun-shy concerning stinging insects. “Should we tell him?”

They all looked at Dario, who pushed the Mediterranean straw hat back and opened his eyes, which were exactly the same pale amber color as the wasp. 5Y 7/8, Wayfarer thought automatically, with fresh expertise. But she was far more interested to hear the color of the young man’s words, when he finally spoke.

Not fully awake, Dario shooed the insect away without any fuss and yawned. “Is it lunchtime?” he inquired, then added colloquially, “I’m fucking ravenous.”

For the first time since arriving on site, Einer Wayfarer laughed out loud. It wasn’t the expletive, which she only noticed for its phonetics, but the accent. Although complex and even mildly exotic, it didn’t exhibit any clear influences or precedent. The professor felt like she’d just been handed a linguistic version of the ambiguous character on the potsherd – it could be anything, from anywhere. However, now she knew where she stood: like an archeologist at the surface of a stratified tel, she would have to do some digging to uncover the origins of the young man’s mongrel vowels.

To be continued…

To read the next installment, Part 10 “Ptitim with Amit”, click here.

Posted by Allison on Jun 28th 2011 | Filed in Beit Bat Ya'anah, archaeology, art/clay, artefaux, pseudopod waltz | Comments (4)

What Happened at Beit Bat Ya’anah: part 8

This is the eighth installment of a series. There’s a link at the bottom of the page to the next installment.  Or, to read from the very beginning, click here.

Previously:

The sleek, scented body that had slipped past her in the dark engaged Wayfarer’s academic curiosity: he was no one she’d seen yet on site. Who was he? But then she thought, it hardly mattered; by tomorrow night, she’d be on a plane home.

The dawning

The next morning, or more exactly, forty three minutes since returning to bed after her bootlegged nocturnal shower and six minutes before it was set to sound, Einer Wayfarer’s hand flattened the off button of her wind-up alarm clock. She’d awakened abruptly, her sleep-working brain belatedly aware of what the dripping, moonlit young man’s exact words to her had been. She sat up, and reached under her cot to pull out her brief case. Checking the leather for undesirable arthropods and finding only an innocuous black beetle, she extracted the letter that had brought her to Beit Bat Ya’anah.

Her colleague’s continental penmanship was difficult to read, especially in what little dawn light filtered through the heavy canvas walls. Besides, English was not Avsa Szeringka’s second language, nor even her third. As a consequence her English style on paper, although as vivid and original as her native thinking, was not as clear. In professional texts, this made Avsa terribly dependent on her editor – Wayfarer had met Melita Matsouris in London and found her to be a very patient and determined woman. But personal missives from Avsa were never professionally wrangled, so they required careful recension. For one thing, they always suffered from swarms of commas. Wayfarer knew this infestation of punctuation was an attempt at clarity, but its effect was the opposite, particularly since they were seldom employed where actually needed.

Squinting a little even with her bifocals on, she ran her eyes down the hastily-written page until she found the portion she wished to re-read:

And also, too by the way, I am aware of a cryptocultural artefact I recommend you acquaint with, at a remote site in Negev, whom I think you would find interesting, and, quite compelling if my belly is correct since, because perhaps, is strongly authentic in style and origin. In a way, a cultural fossil, one might say a fly in amber; you might say maybe an unsecured antiquity. I beg do not be misled by appearance or impression of artefact, somewhat vulnerable, I think important to evaluate and conserve, with care.

Wayfarer’s colleague had added pragmatically and imperiously:

Airfares low, now, because of hot season, and your semester not yet started, so I have contacted Beit Bat Ya’anah, Ben Gurion University, excavation directors Amit Chayes and W.A. Rankle, to inform them of expecting you, later in this month. Therefore, no refusals, if you please, to my request.

Besides the advice on airfare, which had turned out to be accurate, Wayfarer realized that in the entire hash of phrases there was just one critical word, the significance of which she recognized only now: whom. “Whom I think you would find interesting,” referring not to the site, but the artifact. And initially concealed by all the other idiomatic idiosyncrasies, it was not a grammatical error: the vulnerable artifact, the unsecured antiquity, was not what, but who.

Wayfarer smiled to think how Avsa would laugh when she told her how she’d spent an evening puzzling over an ashy, broken lump of under-fired domestic-ware. And how disappointed Wilson Rankle was going to be when she informed him she wouldn’t be needing a ride back to Beer-Sheva right away: she’d found her “artifact with an accent” after all, and he had just wished her a fluent good morning in what was agreed by experts to be a thoroughly dead language.

To be continued…

To continue to the next installment, Part 9 “The Trenches”, click here

Posted by Allison on Jun 12th 2011 | Filed in Beit Bat Ya'anah, archaeology, art/clay, artefaux, pseudopod waltz | Comments (3)

What happened at Beit Bat Ya’anah: part 7

This is the seventh installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

After getting nowhere with the stamped symbol on the broken piece of pottery, Professor Einer Wayfarer disappointingly proclaimed to the dig staff, “I’m afraid that until you find more evidence — like a related object — what you’ve got is a classic unsecured antiquity.” The entire trip had been a waste of time, and there was nothing to keep her longer at this remote desert excavation.

The Leopard and the Lionness

Wayfarer lay on top of her sheet on the camp cot, not sleeping. The mystery object which had drawn her to Beit Bat Ya’anah had been ambiguous at best, and disappointing, to say the least; not worth the fuss and travel. Personally, she was dismayed that Avsa’s enthusiasm for searching for physical evidence of an obscure culture had clearly gotten the better of her academic objectivity. Wayfarer knew her colleague was impetuous — it was a strength as well as a weakness — but it was imperative to remain detached from the subject, and Szeringka had either forgotten that, or, more disturbingly, abandoned an objective approach. This lapse had wasted a great deal of Wayfarer’s time. She was relieved to be leaving, and expected to be picked up next day by the department jeep to be delivered back to Beer-Sheva, then to the airport and back home in time to start preparing for the fall semester and to get some more editing done on the Lexicon before classes began. There was no reason she should be awake, thinking and sleepless.

Yet… Avsa Szeringka might have a quixotic academic cause, and she might be impulsive, but she was no fool. Why had she insisted that Wayfarer come to this remote, unpromising site? To see that unremarkable lump of clay with the uncertain symbol on it? It seemed unlikely. That question was keeping the professor awake; that question, and the heat.

It was stifling. No breeze stirred the oppressive night air — even with the end flaps open, the tent was a canvas oven. Feeling sleep evaporate once and for all, Wayfarer sat up to ponder means of relief for her sweltering insomnia and decided on a shower, despite Wilson Rankle’s regulations about hours and a limited water supply. Firmly squelching her conscience about that along with qualms about scorpions, centipedes and other nocturnal wildlife she risked encountering, Wayfarer shook out her sandals, slipped them onto her feet and grabbed a towel. The waxing half moon was still up, so she could see well without a flashlight. No need for proper clothes; her nightgown would get her across camp — at three forty-five in the morning, everyone else was sleeping.

But as she drew closer to the showers she could hear water running, the slap of droplets hitting the cement and spattering the tarp wall, their sound-pattern changing as someone moved around under the showerhead. Unbelievable, Wayfarer thought… it was 0-dark-30 and there was nocturnal wildlife around. She stopped, wondering if she should wait or go back to the tent, but like a lioness at the watering hole she decided to pull rank. “Hey,” she growled, “Are you almost done in there?”

No one replied, but the water shut off after a few seconds. Not knowing whether the bather was male or female, Wayfarer hesitated to push in; she stood outside the tarp overlap and waited. A scant moment later someone slipped out close by her, dripping wet, dark snakes of hair clinging to neck and shoulder blades, wearing a towel wrapped low around the hips and nothing else, except fisherman’s sandals.

Through the camo shade mesh, the moonlight limned a sleek body, dappling a quantity of exposed, brown skin. Einer Wayfarer was stolidly immune to this sort of animal display – nearly naked young men were of no interest to her whatever – but her eyes followed the creature with academic curiosity, if nothing more ardent. It was no one she’d seen yet on site. She wondered if the local Bedouin boys ever snuck into camp for the luxury of water. But, no: as he passed her, Wayfarer’s nose detected a blend of cedar-scented soap and arak. A luxurious nocturnal creature, then, and dissolute, she decided uncritically. But clean.

As she stepped under the tepid flow herself, she belatedly realized the young man had said something as he’d passed: was it good morning? She tried to replay the words in her head; they hadn’t been English, or Hebrew. And not Arabic, either, yet she’d understood them perfectly well. Unable to reconstruct the phrase, Wayfarer shook her head, realizing she wasn’t as awake as she felt, and let the water run down her scalp and over her shoulders, cooling her a little, but not much. It hardly mattered; by tomorrow night, she’d be on a plane home.

To be continued…

To read Part 8 “The Dawning”, click here

Posted by Allison on Jun 4th 2011 | Filed in Beit Bat Ya'anah, archaeology, art/clay, artefaux, pseudopod waltz | Comments (1)

What Happened at Beit Bat Ya’anah: part 5

This is the fifth installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

On the underside of the handle the mirror reflected a small textured mark pressed into the clay: a geometric, elemental symbol that was very familiar to her within the narrow context of her own literary subject. Was this what Avsa wanted her to see?

The Character

“There’s a character stamped here,” Professor Wayfarer said. “Have you taken a look at this?” she asked Wilson Rankle, who shook his head. To judge by the line of his mouth the headshake didn’t mean no so much as it indicated a desire for no involvement.

“It’s just a potter’s mark,” he said. “But feel free to make more of it, if you want.”

Finally with something to sink her formidable scholarly incisors into, Einer Wayfarer sat down. The old wooden chair creaked under her. She pushed her glasses up, then farther up, onto her forehead, and held the piece just inches under her short nose. Several minutes passed as she studied the object in silence, turning it over, her breath audible in her nostrils. She held it one way, then inverted it, and then looked at it again in the small mirror. Although she was aware of the silence in the room, and the pressure of curiosity in the bodies around her, she took her time. She asked someone to open the door to let in fresh air, and kept examining the object without noticing if anyone did. After another three minutes of intense, unhurried scrutiny, she cleared her throat, coughed twice, and pushed the piece away, vexed.

On closer examination, the character remained stubborn, mute. No, not mute: over-communicative and ambiguous – it sent too many messages, not too few. The angled strokes lent themselves to several interpretations. Ignoring chronology, Wayfarer could think of five possible writing systems that could have produced it, or, realistically, four and a long shot. And that didn’t take into account aberrant scribal forms, geographic variation, the idiosyncrasy of an individual artist, semi-literacy, or simple human error. Undecided, Wayfarer resorted to a cheap but effective professorial trick: putting a student on the spot.

“Who can tell me how this character could be read?” she asked the students, gesturing for them to come in close for a look. Sometimes young brains had fresh ideas.

After a pause, several of them spoke at once. “Well, it’s not cuneiform… Is it Aramaic?” “It’s a hieratic 6?” “It kind of looks like a Greek Xi…” “There’s a sign like that inscribed on a jar from Bet She’an…” “A Linear B syllabic symbol?” “Is it Phoenician?” Wayfarer noticed that like herself, they were all over the map, and the time line.

“Come on, people,” Rankle scolded his flock. “Who said Linear B? On a jar here?”

The undergrad looked sheepish. Murmuring something unconvincing about Mycenaean trade routes, he said defensively, “It could happen…”

Rankle glared at him. “Go look it up in Hooker, Eric, and tell me if you find a Linear B character anything like that.”

Noting that the director wasn’t contributing a suggestion himself, Wayfarer mercifully interrupted the peevish catechism. “So it’s not Linear B. On Dr. Rankle’s authority — and Mr. Hooker’s — we can at least rule out that possibility. So what is it? Most of the rest of you seem convinced it’s an alphabetic symbol. Is it? Is it a hieratic numeral? A logogram? Just a potter’s mark? Or if you insist on an alphabet, what about proto-sinaitic? Who reads paleo-Hebrew?” She offered the clay lump around to her left.

The students looked blank. “What paleo-letters have three horizontals?” Rankle prompted, to save time.

khet,” said someone. “hey,” said someone else, tentatively. “And samekh.” “Could it be a funky yod?” “A shin, if you turn it this way?”

“Good — three verticals for shin if you re-orient it. So, we see the problem: either this or that… or maybe the other… or all of them,” Wayfarer agreed with the students comprehensively. “But, not exactly any of them.” She held the piece out once again. “Anything else? Anyone? Zvia?” The young woman took it into her small, square palms, studied it for a moment, then tilted her head. “Well, it could be…” She stopped abruptly.

“Oh, here we go,” muttered Rankle. “She’s going to say it.”

“Say what?” asked Eric.

“I am going to say it,” Zvi finished feistily. “It could be a wehériəl sign.”

The director snorted.

Ignoring this, Wayfarer held out her hand for the lump of clay. “Thank you, Zvia; I agree, it could be wehériəl. So, the question is should we say it? It’s precisely because it could be an aberrant version of any of these characters …” here she took a moment to look again at the mark, and shook her head, “…including a damn good Elennui wehériəl sign, that I think we can’t say it. Without other symbols to provide context, there are simply too many possibilities to permit firm conclusion. So…” She paused, then went on carefully, “So what I will say is this: we don’t know any more than we did at the start of this…. exercise. An artifact with an accent? I’m afraid that until you find more evidence, such as a related object, what you’ve got is an undatable jar handle stamped with an ambiguous character of uncertain origin. A classic unsecured antiquity — nothing more.” She handed the officially uninteresting artifact back to Zvi, who stood holding it as if it were a dead thing.

No one spoke, lulled into motionless silence by detail, and disappointment. At the back of the room, the door snicked to, then swung open again, as if a night breeze had passed through.

The sound broke the spell of quiet: behind her, Wayfarer heard Wilson Rankle give a satisfied sniff, and stand up. “Well, okay. Any questions, people? No? Then, party’s over. Thank you, Professor Wayfarer.” At his words, the cluster of staff and students began to move away. Rankle’s tone she disregarded; what concerned the professor was whether the students had gotten anything out of the process, and no questions was never a good sign. Wayfarer supposed the episode had at least demonstrated academic caution and restraint, virtues that these days seemed to her to be practiced haphazardly at best.

Only the undergraduate Eric hadn’t moved. “What’s a wehériəl sign?” he asked in a tenacious whisper to Zvi, who ignored him as she headed toward the door. “And, say or not say what?” he persevered, forced to follow her.

A seasoned veteran of classrooms, Professor Wayfarer had ears finely attuned to murmuring student puzzlement, even over the scraping of chairs and her private, irritable thoughts. Glancing at her watch, she predicted shortly, “No one’s saying anything, now. Except goodnight.”

At that moment, the generator clicked off. The lights flicked once and then went out, leaving the small group of scholars to make their way out of the stuffy room entirely in the dark.

To be continued…

To read Part 6 “The View from Under the Walls” click here.

Posted by Allison on May 7th 2011 | Filed in Beit Bat Ya'anah, archaeology, art/clay, artefaux, pseudopod waltz | Comments (2)

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