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Willcox at eye level

Like the Sandhill cranes, I usually visit Willcox in the winter.  That’s when the town hosts Wings Over Willcox, a birding and cultural event celebrating the cold season presence of Sandhill cranes, who dwell in the fields and wetlands of the Sulphur Springs Valley from October to March.  (below, Stewart St. in Willcox AZ.  Photo A. Shock)

In winter when the trees are bare and the lawns are brown, the city of Willcox Arizona looks very close to the earth: the houses and buildings in the older neighborhoods seem to sit right on the dirt, as if they’d pushed up through the soil like sensible angular mushrooms after a rain. It’s a down-to-earth kind of place, surrounded by ranches and farms, and snow-dusted peaks.

<< Sandhill crane eye, mounted specimen.  Very dinosaur-y, isn’t it?  When I see this eye, I’m glad I’m not a seed.

Except for the newer part of town, which is latched onto Interstate 10’s throat like a tick, the town has pretty much one of everything — just what folks who live here need, but no more: a couple of gas stations, a mechanic or two, a winery, a golf course, a handful of restaurants that may or may not be under the same ownership each time I return, or even open at all; schools, fire department, churches.  But down-to-earth Willcox also has a big sky feel.  This time of year that sky infuses the fields and grasslands with earnest birds, gleaning seeds from grassheads, foraging the fields for leftover crop — not only large cranes, but also lark bunting, meadowlarks, vesper, savannah, song, white-crowned and lark sparrows.  Raptors and shrikes follow the birds: the kestrels, merlins, and accipiters sharp-eyeing the sparrows, the larger hawks stalking rodents above ground during the sunny days; owls take over the hunt in the waxing moon nights. Ravens hang in high places cawing, opportunistically looking for a tidbit or some fun anywhere.  Birders and tourists flock here as well, to the festival and on their own, following all of it: cranes, owls, raptors, sparrows, and scope-toting tour leaders with fieldguides tucked into their khaki vests. (Photo above: twilight over the Sulphur Springs Valley outside of Willcox.  There are thousands of invisible cranes in this picture, standing in the yellow grasses in the mid-distance.  The black dots in the air low on the left edge of the image are cranes coming in to join them to roost for the night.  Photo A.Shock)

All of this activity is watched over by Willcox’s long history.  Once known as the cattle capital of the U.S., ranching and agriculture are still big here, although Interstate 10 has replaced the railroad as the town’s main lifeline.  But freight still rumbles through town, rolling between southern California and Texas railyards: the noisy calling of cranes in the fields is often momentarily drowned out by train horns, a more soulful, lonely sound than the busy clacking of the social birds.

>> Rex Allen also watches over Willcox. The Willcox native, known as the “Arizona cowboy”, was a Western singer and actor known for his folksy film narration.  His autographed images hang on the walls of just about every joint in town, from Tex’s BBQ Dining Car to the chain hotel lobbies.

Posted by Allison on Jan 15th 2012 | Filed in Events, field trips, three star owl | Comments (2)

Crane-o-rama!

Tens of thousands of Sandhill cranes winter in the fields and wetlands of far southeastern Arizona each year, and they have their own festival: Wings Over Willcox, held in mid-January by the historical community of Willcox, AZ. This year is the 19th Annual WOW Festival, and it’s part of SE Arizona’s celebration of the state centennial.

>> Dawn pinkens sandhill cranes standing in the icy waters of Crane Lake south of Willcox, AZ (Photo A.Shock)

There are tours to the local hotspots, not just for crane-sighting, but for other winter birding specialties in the bird-rich, high-desert grassland in and around the Sulphur Springs Valley: the Chiricahua Mountains, Whitewater Draw, Lake Cochise, and more.  Not all of the outings are bird-related: there are historical, agricultural, gastronomic, and archeological tours, too. Check availability for tickets here. There are also seminars by local experts on anything from photography to astronomy to more birds and birding, which I believe are free.

If your tour of choice is sold out, don’t despair. The cranes can be viewed (and heard!) flying in v-formation overhead often, but you can also visit places like Crane Lake (above) and Whitewater Draw at dawn and dusk to see flights of cranes leaving (morning) or returning (afternoon) to and from foraging in the agricultural fields during daylight hours.  Driving the public farm roads south of town at any time of day, you can luck into hundreds of cranes moving in a group through a field, or a fierce bird of prey like a Ferruginous hawk patrolling the skies or perched on a wire over the field margins.  Loggerhead shrikes are fairly common, as well: check out a previous post of mine for more photos.

<< three Sandhill crane magnets by Three Star Owl will be available at WOW for $16 each

Three Star Owl will be at the Nature Expo portion of the event, held in the Willcox Community Center, which is the headquarters for the festival.  The Nature Expo will be open from Thursday afternoon until Sunday, check my Events page for more specific hours and a link to a map and driving directions.  If you’re in the area, please stop by and say Hello — admission to the Nature Expo is FREE!

A word of advice to those planning on visiting: although sunny winter days in this part of AZ can be comfortable, Willcox is at 4200 feet above sea level, so night-time temps usually dip well below freezing this time of year, and if it’s windy or overcast, daytime temps will be brisk.  So if you plan to get out into the world on your trip here, dress for the weather!

Posted by Allison on Jan 6th 2012 | Filed in Events, birding, birds, field trips, natural history, three star owl | Comments (1)

Last chance to see…

“Ossuary: an archæology of resurrection” in the show Death and Rebirth at Maryville University’s Morton May Gallery in St.Louis.  The show will be up until this friday, December 2.  Click here for details about the show and about the Ossuary.

<< Detail (photo and piece, A.Shock)

Posted by Allison on Nov 28th 2011 | Filed in Events, art/clay, artefaux, effigy vessels, field trips, owls, three star owl | Comments (0)

Pick of the litter

Among the sculptural vessels I’ve made recently for upcoming holiday sales, a couple things stand out.  This is one of them:

Feather Bundle Jar with Owl (13.5″ ht, stoneware 2011, photo and object A.Shock)  >>

What you can’t see in the photo is the interior glaze, a fiery glossy red that contrasts strongly with the dry, dinosaur-green outside.  The jewel-like red studs give a hint of what’s on the inside, however.

This piece will be available starting tomorrow at the Three Star Owl booth at Audubon Arizona’s Gifts from Nature event tomorrow and Sunday (12 – 13 Nov, 10am-4pm, click here for details).

I’ll also be offering functional pieces, including frog skeleton mugs, scorpion mugs, beastie pitchers, and ravenware, just for starters.  As always it bears repeating: Come early for best selection!

And, they’ve pretty much taken rain out of the forecast for Saturday, at least — so really, there’s no excuse!

Posted by Allison on Nov 11th 2011 | Filed in Events, art/clay, effigy vessels, owls, three star owl | Comments (0)

…more Three Star Owl news…

Deadlines, shows, and orders have been keeping me busy in the studio the past few weeks as the pre-holiday calendar winds up to year’s end.  Not complaining!  But, I have noticed that recently this space has been more full than usual of Three Star Owl news and less full of natural history, birds, and fiction (will Professor Wayfarer ever find out what kind of accent the elusive shirker Dario is sporting?)

In keeping with this trend, here is more Three Star Owl news.  My recently completed piece, The Ossuary: an archæology of resurrection, is part of a show, Death and Rebirth, currently at the May Gallery at Maryville University.  Curated by James Ibur, Death and Rebirth showcases ceramic sculpture by more than 20 artists, including the work of Mark Messenger, Arthur Gonzalez, Adrian Arleo, Susan Bostwick, Kurt Weiser, and more.  Each piece deals with the eternally cyclical nature of mortality and lifeforce, especially resonant during this season of Día de los Muertos, All Soul’s Day, and Halloween.  If you’re in St.Louis, the show will be up until 2 December 2011.

For those of you who are not in St. Louis or are unable to visit the May Gallery, a bit more information about the Ossuary is in order.  It belongs to the same corpus of work as the earlier Owl Hives.  Here are some images (be sure to click to enlarge), and a dose of scholarly commentary thanks to a friend of Three Star Owl, Darius Danneru, PhD, who has generously squandered his ample expertise on — and occasionally even loaned his person to — my creative efforts.

<< Ossuary: an archæology of resurrection (smoke-fired stoneware, 13″, A.Shock 2011)

Notes on “Ossuary: an archæology of resurrection”

… related to these [Owl-hives] is another well-preserved unprovenanced piece from a private collection (fig. 9). With tiny strigids issuing like bees from its interior, this tripod effigy vessel/ossuary is itself owl-like, large-headed and standing on two taloned legs and a tail, shrouded in a torn, priestly cloak of feathers fastened with curiously unknotted twine. Below the cloak the body is textured with bones, above it the form is both lidless vessel and roofless, columbarium-like house with windows.

Owl about to launch (detail, “Ossuary”) >>

This mix of architectural and sepulchral imagery suggests a funerary significance, but the sarcophagal feel is leavened by a swirl of rebirth: the gravid cavity shelters the proto-owls while they await release from the depths of their bone hoard (whether the owls’ conceptual matrix or simply the remains of the last meal hardly matters), and the tomb’s roof and windows are open to allow the owls to launch like souls from the Guf and be restored, winged, to the world.”

– Text excerpted from D. Danneru, “House-Owls and Owl-Houses: do model ‘owl hives’ at Beit Bat Ya’anah offer evidence of ancient strigiculture?” Obscure Histories Quarterly, v. 42:3 (Fall 2010) p. 84.

Darius Danneru, PhD, is the Wayfarer Professor of Crypto-cultural Studies at MacCormack University, a fellow of the Szeringka Institute, a member of ICER, ESSA, and currently a visiting Professor at the Oriental Institute, University of Chicago.

<< peeking through the windows into the heart of the Ossuary.


Posted by Allison on Nov 4th 2011 | Filed in Events, art/clay, artefaux, effigy vessels, three star owl | Comments (6)

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