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Two more Ganskopf “fetishes”: stone owls or just rocks?

This is the fifth installment of the Ganskopf series.  Read the first, second, third and fourth here.

“Professor Harrower wants to speak to me?” I asked, surprised.  Miss Laguna nodded, and pushed the phone towards me in the air.

After months of contact by letter — and snail mail at that — to say that I was surprised to be called on the phone, at the Ganskopf Library, by Professor Harrower was putting it mildly (not to mention how much it sounded like an Accusation in Clue).  I put the phone to my ear, its tangled coil-cord knocking over a cup of pens on Miss Laguna’s desk.  “Yes?” I asked.  The professor spoke in a quiet voice, tinted with a soft accent I couldn’t quite place.  With no pleasantries except a “good afternoon”, he made his request directly and said goodbye.  I handed the phone back to Miss Laguna, who had managed to take the entire length of the call to reorganize the pen cup.

“Miss Laguna, do you know Harmon Harrower personally?” I asked.  She nodded, and explained he made infrequent trips to the Collection.  I asked, “Do you happen to know where he’s from, I mean originally?”

“Texas,” she replied, “born and raised.  I believe his PhD is from Rice.”

“No kidding?  He’s an Owl?”  This seemed too odd to be coincidence.  “Well, Professor Harrower has another two ‘fetishes’ he wants me to render before I leave.  How late is the Library open?”

“Until 9pm.  There’s plenty of time if you’d like me to pull them for you,” she said.

“Then, would you mind?” I gave her the scrap of paper with the accession numbers, and moved back to a table to unpack my kit.  She returned promptly with two tiny figures, this time with hands once again carefully encased by purple latex gloves.

Here is the finished aquarelle pencil and ink illustration:

Again, I omit detailed notes on them here, except to say that the items were stone owls, no more than two inches tall, perhaps made owl-like by human hands, or perhaps just fortuitously owly cobbles.  I leaned as close as I could to the velvet pillow, and peered at the objects through my magnifying glasses.  There was a shininess or patina on them — especially around the bellies and beaks — that could have been made by frequent handling or rubbing.  I leaned back.  I suppose if I ever found an owl-shaped stone, I’d pick it up, too: just because they might not be fabricated didn’t mean they weren’t artifacts.  My gut feeling was that human-shaped or not, they could be very, very ancient; prehistoric ancient, even.

For these two “fetishes”, I chose a stippling technique to render their patinated, weathered cortex, remembering how effective that technique was for drawing Acheulian stone handaxes and other cobble-based implements during a summer internship at the Lancaster Anthropology Museum.

As I worked on the preliminary sketches, various facts kept the analytical part of my brain occupied: Professor Harrower wanted the illustrations for an article.  But he had been working on this article for an awfully long time — wouldn’t he want to catch the wave of public interest in these “mystery relics”?  And also, why were his payments and re-imbursements to me always in the form of money orders, rather than checks from his University?  On further reflection, I decided this might be because he was moonlighting — writing a piece for a popular publication, not a technical journal.  This could explain why exact measurements weren’t critical; also, why he had asked for colorful renderings.  (The objects themselves tended to be mute in color, so I’d solved this with bright backgrounds, which had seemed to satisfy him.)  But mostly what I reflected on was this: the absolute certainty that, based on the speaker’s accent, my phone conversation today was not with a Texan.

With provocative thoughts like these, time passed quickly, but it was a little after nine when I finished up.  Miss Laguna had already put on her coat.  I asked if she would let me buy her a quick dinner by way of thanks for holding the Library open a bit late (I could afford it, I was working with a per diem).  She smiled, but said she had to get to her night job, so I just grabbed a slice of pizza on the way back to the hotel.

In general, the food here isn’t as good as in New Elgin, and the pizza was heavy and soft with flabby cheese.  As I walked along the street struggling one-handed to keep it from dripping oil on my sweater, I wondered: what do you suppose a special collections librarian does for a night job?

To be continued.

Posted by Allison on Mar 25th 2010 06:46 am | 3 Comments
| View art/clay,artefaux,drawn in,pseudopod waltz,The Ganskopf Incident category

3 Responses to “Two more Ganskopf “fetishes”: stone owls or just rocks?”

  1. sueon 28 Mar 2010 at 11:28 am link comment

    …she may work as a night auditor at a hotel. Decent pay, no interruptions. Good if you like to work alone and are good with numbers.

    No owl activity near the nest box at deep dusk for over a week. I did see a barn owl lying at the side of the nearby interstate. They love to hunt the road cuts and sweep in low for the kill, only to meet with the front end of a speeding vehicle. May be the reason for the silence at the nest. I’ll keep watching.

  2. Allisonon 28 Mar 2010 at 12:31 pm link comment

    Or maybe exotic dancer? To counteract sedentary occupation?

    I’ll keep my fingers crossed about your barn owls. I’ve often been surprised how many road-killed barn owls I’ve seen on the side of the road in central CA, since you don’t see that many live ones!

  3. […] is the seventh installment in a series. Click here to read the first, second, third, fourth, fifth, […]

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