This is the seventh installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

After getting nowhere with the stamped symbol on the broken piece of pottery, Professor Einer Wayfarer disappointingly proclaimed to the dig staff, “I’m afraid that until you find more evidence — like a related object — what you’ve got is a classic unsecured antiquity.” The entire trip had been a waste of time, and there was nothing to keep her longer at this remote desert excavation.

The Leopard and the Lioness

Wayfarer lay on top of her sheet on the camp cot, not sleeping. The mystery object which had drawn her to Beit Bat Ya’anah had been ambiguous at best, and disappointing, to say the least; not worth the fuss and travel. Personally, she was dismayed that Avsa’s enthusiasm for searching for physical evidence of an obscure culture had clearly gotten the better of her academic objectivity. Wayfarer knew her colleague was impetuous — it was a strength as well as a weakness — but it was imperative to remain detached from the subject, and Szeringka had either forgotten that, or, more disturbingly, abandoned an objective approach. This lapse had wasted a great deal of Wayfarer’s time. She was relieved to be leaving, and expected to be picked up next day by the department jeep to be delivered back to Beer-Sheva, then to the airport and back home in time to start preparing for the fall semester and to get some more editing done on the Lexicon before classes began. There was no reason she should be awake, thinking and sleepless.

Yet… Avsa Szeringka might have a quixotic academic cause, and she might be impulsive, but she was no fool. Why had she insisted that Wayfarer come to this remote, unpromising site? To see that unremarkable lump of clay with the uncertain symbol on it? It seemed unlikely. That question was keeping the professor awake; that question, and the heat.

It was stifling. No breeze stirred the oppressive night air — even with the end flaps open, the tent was a canvas oven. Feeling sleep evaporate once and for all, Wayfarer sat up to ponder means of relief for her sweltering insomnia and decided on a shower, despite Wilson Rankle’s regulations about hours and a limited water supply. Firmly squelching her conscience about that along with qualms about scorpions, centipedes and other nocturnal wildlife she risked encountering, Wayfarer shook out her sandals, slipped them onto her feet and grabbed a towel. The waxing half moon was still up, so she could see well without a flashlight. No need for proper clothes; her nightgown would get her across camp — at three forty-five in the morning, everyone else was sleeping.

But as she drew closer to the showers she could hear water running, the slap of droplets hitting the cement and spattering the tarp wall, their sound-pattern changing as someone moved around under the showerhead. Unbelievable, Wayfarer thought… it was 0-dark-30 and there was nocturnal wildlife around. She stopped, wondering if she should wait or go back to the tent, but like a lioness at the watering hole she decided to pull rank. “Hey,” she growled, “Are you almost done in there?”

No one replied, but the water shut off after a few seconds. Not knowing whether the bather was male or female, Wayfarer hesitated to push in; she stood outside the tarp overlap and waited. A scant moment later someone slipped out close by her, dripping wet, dark snakes of hair clinging to neck and shoulder blades, wearing a towel wrapped low around the hips and nothing else, except fisherman’s sandals.

Through the camo shade mesh, the moonlight limned a sleek body, dappling a quantity of exposed, brown skin. Einer Wayfarer was stolidly immune to this sort of animal display – nearly naked young men were of no interest to her whatever – but her eyes followed the creature with academic curiosity, if nothing more ardent. It was no one she’d seen yet on site. She wondered if the local Bedouin boys ever snuck into camp for the luxury of water. But, no: as he passed her, Wayfarer’s nose detected a blend of cedar-scented soap and arak. A luxurious nocturnal creature, then, and dissolute, she decided uncritically. But clean.

As she stepped under the tepid flow herself, she belatedly realized the young man had said something as he’d passed: was it good morning? She tried to replay the words in her head; they hadn’t been English, or Hebrew. And not Arabic, either, yet she’d understood them perfectly well. Unable to reconstruct the phrase, Wayfarer shook her head, realizing she wasn’t as awake as she felt, and let the water run down her scalp and over her shoulders, cooling her a little, but not much. It hardly mattered; by tomorrow night, she’d be on a plane home.

To be continued…

To read Part 8 “The Dawning”, click here

So what’s new?  Underpass art along Hwy 60 at Devil’s Canyon Bridge.

Other way to consider this issue: Is the cat amenable to Show Procedure?

Go ahead, click to enlarge. (Photo A or E Shock)

updated:

Wait, I didn’t think I would need to explain that this was found art, not made-by-me art.

This is the sixth installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

After the professor’s official and disappointing debunking of the Mystery Object, the staff and students began to move away. Only the undergraduate Eric hadn’t given up on the topic. “What’s a wehériəl sign?” he asked in a tenacious whisper to Zvia, who ignored him as she headed toward the door. “And, say or not say what?” he persevered, following her out the lab door.

The view from under the walls

Zvia Ben-Tor was headed uphill away from the lab as fast as her athletic legs could take her through the moon-blue dark. She was pissed off. The scene in the lab had done it. This late in a tough season it was too easy to lose your cool, so she was ushering her aggravation out into the desert to chill, alone.

Young Eric was still trailing her. The last thing she wanted to do was answer his pesky questions about esoteric Elennui cosmological characters, so Zvia headed towards the latrines, figuring he wouldn’t follow her there. It worked — as soon as she was sure he’d given up, she cut over to the edge of the lower wadi, and made for the ruined springhouse up beyond the edge of camp.

Now well behind her, the dig camp was dark after lights out except for flashlight glow in a couple of the tents and the hazy flicker of someone’s candle at the dining tables. But the compound was still well-lit by the halfmoon light, and Zvia walked around to the other side of the springhouse to a large flat rock. It was the best place to sit, facing uphill toward the gape of the upper wadi, because dilapidated as they were the thick stone walls blocked out not only the sight but the sounds of camp: late conversation, Lior’s guitar, the Aussies’ laughter. She sat with her back against the pitted limestone, still warm from the setting sun, staring up at the bare cliffs above the wadi, her knees bent toward the sky, her hands curled round her ankles. It was exactly what she wanted – peaceful, solitary and calm.

But the calm didn’t help – Zvi was still pissed off. She was pissed off at Rankle for being a jerk, at Amit Chayes for not being there to mitigate that jerkiness, and even a little at Wayfarer for being so authoritatively and infuriatingly rigorous. And Dario, who’d found the damn character in the first place – where the hell had he been? As usual, nowhere in sight when help was needed, the jackal. How can anyone disappear so efficiently in a close-packed camp in the middle of a treeless desert?

Zvia’s brain kept replaying fragments of dialog. Especially Rankle proclaiming the stamped symbol was “Just a potter’s mark.” Just? Why the hell were they there if not to try to relate the things they hauled out of the dirt to the people who made and used them? Otherwise, at the end of the season, all their hot, hard work would just be square holes in the dirt and rooms full of buckets filled with gray, broken sherds, stripped of meaningful, human context. You might as well leave them buried where they lay.

Zvi pulled her heels closer to her hips and continued to stare at the stark cliff faces. The rock looked close, but she knew it was a trick of the clear air and bright moonlight: Shams’s survey put the formation at more than a kilometer away. It was strange, but in a way she could understand Rankle’s view – as an orderly, non-subjective excavator who worships the polished balk and the taut grid he didn’t believe anything but the soil and what it gives up, no matter how meager the yield is. He had no use for texts: words only clouded the clarity of dirt. Zvia had heard the director loud and clear on the subject just last week, when he’d refused to give a site tour to a visiting group from a midwestern Bible college, grumbling about how if they wanted to stagger around Israel brandishing the Old Testament like Baedeker’s guide to the Holy Land, then fine, but did they have to do it here? In the end the other director, Amit Chayes, had showed the group around the site himself, leaving them puzzled as to why they had visited Beit Bat Ya’anah, since he hadn’t used any of the words they knew, like “Israelites” or “Canaanites” or “Edomites,” to describe the people who had lived here: they wanted illustrations for their chapter and verse.

That literalist approach, trying to force matches between archæology and literary texts, didn’t resonate with Zvia, either. But she wondered if what Amit had privately given her the nod to do – to keep an eye open for artifacts that might give a daily life to the mysterious poets whose words she studied – was really any different. Her PhD advisor scathingly referred to it as The Lost Crusade for Elennui Objects. Zvia could understand that viewpoint, too: Elennui Studies people already had a credibility issue with academics outside the field – who studies a language that nobody ever spoke?

Zvia yawned. If she was empathizing with Rankle and Sybar, it was time to get some sleep. She took a deep breath and bent her head back, hoping for a Perseid overhead. A closer movement at the top of the wall caught her eye.

Though the main spring had dried up decades ago, a stingy slick patch still dampened the rocks inside the springhouse walls. It was brown with meagre algae and useless for humans, but it attracted small desert mammals and their hunters. There was a hunter there now, perched right above her: a huge owl, its head-tufts blowing a little in the night breeze, its shape an extension of the jagged wall top. Against the deep sky, the bird’s head swiveled smoothly, and it gave two low hoots. Amplified by roofless walls, the soft sound carried clearly over Zvia into the open desert below.

As she watched, the bird dipped its head and stretched a shadowed wing. She wondered how long it had been up there. Forever, she thought sleepily... as long as mice have been coming to the spring for water; how convenient of us humans to build it a wall to hunt from. She tried to dredge up a verse they’d translated in class once, something about an owl’s mournful cries from a desolate wall, but couldn’t retrieve it. There must be no mice at the springhouse tonight – the owl didn’t linger, but launched silently, gliding easily uphill towards the upper wadi.

Following the bird’s flight as she stood to go, Zvia’s quick eye caught another movement, much more distant, almost under the moon-bright cliffs: a ghostly white shirt bobbing among tumbled rocks, headed toward the shadowy mouth of the upper wadi. As she watched the figure disappear under the dark wing of the gap, she realized that what had aggravated her — more than Rankle’s attitude, more than Wayfarer’s shrewd caution, more even than Dario’s vanishing act — was sharp disappointment. Like unprovenanced artefacts, Zvia thought, what good are words, if you don’t know who said them? And she could hardly bear to admit to herself even in the solitude of the blue desert dark how much she had wanted that discrete mark in the clay to be a genuine Elennui wehériəl sign.

To be continued…

To read part 7 “The Leopard and the Lionness” click here.

This is the fifth installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

On the underside of the handle the mirror reflected a small textured mark pressed into the clay: a geometric, elemental symbol that was very familiar to her within the narrow context of her own literary subject. Was this what Avsa wanted her to see?

The Character

“There’s a character stamped here,” Professor Wayfarer said. “Have you taken a look at this?” she asked Wilson Rankle, who shook his head. To judge by the line of his mouth the headshake didn’t mean no so much as it indicated a desire for no involvement.

“It’s just a potter’s mark,” he said. “But feel free to make more of it, if you want.”

Finally with something to sink her formidable scholarly incisors into, Einer Wayfarer sat down. The old wooden chair creaked under her. She pushed her glasses up, then farther up, onto her forehead, and held the piece just inches under her short nose. Several minutes passed as she studied the object in silence, turning it over, her breath audible in her nostrils. She held it one way, then inverted it, and then looked at it again in the small mirror. Although she was aware of the silence in the room, and the pressure of curiosity in the bodies around her, she took her time. She asked someone to open the door to let in fresh air, and kept examining the object without noticing if anyone did. After another three minutes of intense, unhurried scrutiny, she cleared her throat, coughed twice, and pushed the piece away, vexed.

On closer examination, the character remained stubborn, mute. No, not mute: over-communicative and ambiguous – it sent too many messages, not too few. The angled strokes lent themselves to several interpretations. Ignoring chronology, Wayfarer could think of five possible writing systems that could have produced it, or, realistically, four and a long shot. And that didn’t take into account aberrant scribal forms, geographic variation, the idiosyncrasy of an individual artist, semi-literacy, or simple human error. Undecided, Wayfarer resorted to a cheap but effective professorial trick: putting a student on the spot.

“Who can tell me how this character could be read?” she asked the students, gesturing for them to come in close for a look. Sometimes young brains had fresh ideas.

After a pause, several of them spoke at once. “Well, it’s not cuneiform… Is it Aramaic?” “It’s a hieratic 6?” “It kind of looks like a Greek Xi…” “There’s a sign like that inscribed on a jar from Bet She’an…” “A Linear B syllabic symbol?” “Is it Phoenician?” Wayfarer noticed that like herself, they were all over the map, and the time line.

“Come on, people,” Rankle scolded his flock. “Who said Linear B? On a jar here?”

The undergrad looked sheepish. Murmuring something unconvincing about Mycenaean trade routes, he said defensively, “It could happen…”

Rankle glared at him. “Go look it up in Hooker, Eric, and tell me if you find a Linear B character anything like that.”

Noting that the director wasn’t contributing a suggestion himself, Wayfarer mercifully interrupted the peevish catechism. “So it’s not Linear B. On Dr. Rankle’s authority — and Mr. Hooker’s — we can at least rule out that possibility. So what is it? Most of the rest of you seem convinced it’s an alphabetic symbol. Is it? Is it a hieratic numeral? A logogram? Just a potter’s mark? Or if you insist on an alphabet, what about proto-sinaitic? Who reads paleo-Hebrew?” She offered the clay lump around to her left.

The students looked blank. “What paleo-letters have three horizontals?” Rankle prompted, to save time.

“khet,” said someone. “hey,” said someone else, tentatively. “And samekh.” “Could it be a funky yod?” “A shin, if you turn it this way?”

“Good — three verticals for shin if you re-orient it. So, we see the problem: either this or that… or maybe the other… or all of them,” Wayfarer agreed with the students comprehensively. “But, not exactly any of them.” She held the piece out once again. “Anything else? Anyone? Zvia?” The young woman took it into her small, square palms, studied it for a moment, then tilted her head. “Well, it could be…” She stopped abruptly.

“Oh, here we go,” muttered Rankle. “She’s going to say it.”

“Say what?” asked Eric.

“I am going to say it,” Zvi finished feistily. “It could be a wehériəl sign.”

The director snorted.

Ignoring this, Wayfarer held out her hand for the lump of clay. “Thank you, Zvia; I agree, it could be wehériəl. So, the question is should we say it? It’s precisely because it could be an aberrant version of any of these characters …” here she took a moment to look again at the mark, and shook her head, “…including a damn good Elennui wehériəl sign, that I think we can’t say it. Without other symbols to provide context, there are simply too many possibilities to permit firm conclusion. So…” She paused, then went on carefully, “So what I will say is this: we don’t know any more than we did at the start of this…. exercise. An artifact with an accent? I’m afraid that until you find more evidence, such as a related object, what you’ve got is an undatable jar handle stamped with an ambiguous character of uncertain origin. A classic unsecured antiquity — nothing more.” She handed the officially uninteresting artifact back to Zvi, who stood holding it as if it were a dead thing.

No one spoke, lulled into motionless silence by detail, and disappointment. At the back of the room, the door snicked to, then swung open again, as if a night breeze had passed through.

The sound broke the spell of quiet: behind her, Wayfarer heard Wilson Rankle give a satisfied sniff, and stand up. “Well, okay. Any questions, people? No? Then, party’s over. Thank you, Professor Wayfarer.” At his words, the cluster of staff and students began to move away. Rankle’s tone she disregarded; what concerned the professor was whether the students had gotten anything out of the process, and no questions was never a good sign. Wayfarer supposed the episode had at least demonstrated academic caution and restraint, virtues that these days seemed to her to be practiced haphazardly at best.

Only the undergraduate Eric hadn’t moved. “What’s a wehériəl sign?” he asked in a tenacious whisper to Zvi, who ignored him as she headed toward the door. “And, say or not say what?” he persevered, forced to follow her.

A seasoned veteran of classrooms, Professor Wayfarer had ears finely attuned to murmuring student puzzlement, even over the scraping of chairs and her private, irritable thoughts. Glancing at her watch, she predicted shortly, “No one’s saying anything, now. Except goodnight.”

At that moment, the generator clicked off. The lights flicked once and then went out, leaving the small group of scholars to make their way out of the stuffy room entirely in the dark.

To be continued…

To read Part 6 “The View from Under the Walls” click here.

…and other creatures of shift and change.

The day began with a coyote, and an oriole. The coyote we encountered in front of our house, at the start of our early morning walk toward the neaby desert park. It was on its end of the day commute — on the way from our street where it had likely been marauding for spare cat food and spare cats, back to the neighboring butte <<, where its family lives. This time of year the desert dogs are very much in evidence: the butte “goes off” every time a fire engine roars up the surrounding streets, especially in the early or late hours of the night. In the dark the porous rock seems to emit howls and yelps of a number of coyotes, and sometimes the yips of a local gray fox or two.

The cheeky Bullock’s oriole we saw as a brilliant orange flash overhead against the early blue sky, is also a migrant, headed to its breeding grounds uphill from the low desert. This bird might have been close to the end of its journey to cottonwoods somewhere in one of the riparian corridors of Arizona’s mid-elevation waterways and lakes, like the Verde Valley or Lake Roosevelt. It flew scolding out of our palo verde and we didn’t see it again. (Photo of male Bullock’s oriole by Kevin Cole from Wikipedia Commons)

The day ended with migration, too, but of a different sort. Friday night Three Star Owl was part of a trunk show hosted by Tuttibella Designs (thanks Teresa!), and during the evening, several items migrated away from the home territory to new nests: including an owl jar with a continuously swiveling head, a blue raven mug, some hummingbirds-of-AZ-ware, and an octopus mug. May they bring their new caretakers much pleasure!

>> Three Star Owl Beastie Ware (iPhone photo & mugs, A.Shock)

Finally, in a true stretch of the migratory theme that also has to do with acceptance, Three Star Owl has finally wandered into the milling herds of merchants who take credit cards. This has been a grudging and lengthy journey with what I hope will be a satisfying and stable ending, in which submission to technology and its costs brings benefits to everyone. And fortunately, so far, so good!

It’s time for the Verde Valley Birding and Nature Festival, and Three Star Owl will be there in the big white tent, along with other vendors and exhibitors Thursday 28 April until Sunday 1 May, 9 – 5 Thu-Sat, 9 – 1 Sun.  Dead Horse Ranch State Park, Cottonwood, AZ.

Come on by and see what’s new!  The event is free, but a park entry fee may be required, although they may waive it for the Festival.

Click here for more info and directions.

Hope to see you there!

<< the Bundle-feather jar with Owl finial will be there (stoneware, 10.5″, A.Shock, 2011) And, definitely click to enlarge to see piece in truer, richer, color.

This is the fourth installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

Wayfarer was warming to her subject, the possible unsecured antiquity. “So you might say that we’re looking for an object like everything else around it, but not quite: an artifact with an accent.” “Well, the generator goes off at nine pm sharp,” Rankle interrupted her,” so if you’d like to see your little unsecured antiquity in the light, you’d better do it soon.”

The Unsecured Antiquity

Professor Einer Wayfarer hadn’t wanted an audience for her first view of the mystery object that had brought her to Beit Bat Ya’anah, but ultimately it hadn’t been possible to avoid it. She supposed it was her own fault: after her spirited exposition at dinner, everyone wanted to see what she was going to do. She felt she couldn’t refuse to satisfy the students’ curiosity – it was a legitimate educational opportunity for them – so she found herself following Wilson A. Rankle, marching downhill across the rough, stony soil of the moonlit compound to the lab, trailing a string of students and staff behind.

The one-room lab was the dig camp’s only intact hard-sided structure, left over from a failed settlement attempt in an earlier decade. Although recently painted, it was both shoddily built and structurally weathered – and it smelled like dry rot and insecticide – but inside there were cabinets and file drawers, a couple of light-tables, writing tables with archaic wooden school chairs with green backs and split black vinyl seats, and a banged-up dry sink that at night collected a surprising assortment of joint-legged samples of the local fauna that, once in, couldn’t escape its vertical sides. If the lab had housed a entomological research effort, this sink would have had appreciable scientific value, but as it was, everyone was merely repelled by what showed up in the porcelain trap every morning, and devised ways of not being the first one in who, by convention, had to liberate the leggy zoo with a four-by-six file card and a jam jar.

All the lab’s windows were high on the block walls. Many were painted shut, and those that weren’t opened just wide enough to let in small puffs of hot air and large numbers of moths and scarabs. The lighting was better than anywhere else in the compound, but still barely adequate for night work. This was where the senior staff and a handful of conscripted underlings worked afternoons and after dark, until the generator shut down, writing up daily reports, plotting features and matrices on maps of units, and recording on cards anything significant that came out of the ashy soil that day, which was a rare event. There was a skeleton library with basic resources: a beat-up first edition of Aharoni’s book in Hebrew, Shepard’s and Amiran’s books adjacent, dated but still useful, a few back issues of the BAR and JNES, and monographs and annual reports from other sites. There was one electric fan whose weak output everyone fought over except Shams, the dig’s meticulous draftsman/surveyor, who never sweated and was seldom seen without his stingy-brimmed panama hat, and who didn’t want a feeble breeze stirring his ink renderings even a little.

Now Shams, Zvia, Rory, about eight other grad students and staff plus the one eager undergrad named Eric – his neck still blotched and hot from the wasp stings – were sitting in the hard green chairs watching William A. Rankle rummage through a drawer.

“Where the hell is it, Ben-Tor?” he grumbled. It occurred to Wayfarer that the director didn’t know what he was looking for. Zvia went over and directly pulled a plastic bag out of the drawer he was disarranging. “Those are all in locus order, please, Dr. Rankle,” she pointed out, firmly. “Here; Dario said it’s this one.”

This reminded Rankle again of his missing staff member. He looked around, as if the young man might have somehow recently manifested. Not finding him, he asked, “Where did you say he is?” No one answered.

Wayfarer received the bag from Zvia, hefting it in her palm: it was weighty for its volume, but not large. She asked, “May I handle it?”

Rankle laughed. “Knock yourself out. It’s nothing special. Despite what Dario says.”

Dr. Wayfarer noticed Zvia turn slightly pink at the last part of this remark, as if it were directed at her. “Everyone’s an expert, aren’t they?” the professor commented neutrally as she took the object out of the plastic bag, and laid it on the table. Then she pulled out her glasses, and perched them on the end of her nose to take a good long look at the Object.

Evidently the AWOL Dario, whoever he was, had a sense of humor: after staring at it for no more than thirty seconds, she declared authoritatively, “Well, it’s definitely not a spoon.”

What she had placed on the table – the “mystery object”, the much-anticipated unsecured antiquity – appeared to be nothing more than a lump of broken pottery: a handle, evidently broken off of a medium-sized vessel, with a fragment of neck joining the two ends. There was no sign of surface decoration, such as glaze, slip or incision. The clay body was gritty and brown, and the item was neatly if casually formed. But Wayfarer wasn’t an archæologist; the unrefined ceramic fragment meant little to her, yielded nothing to her inexpert examination. She cleared her throat; a noise that sounded distinctly like hrrmph. “Someone tell me about the type of vessel this comes from. Please.”

Rankle prompted, “Ben-Tor?”

“Pottery man did that one,” Zvia said. “Since Amit wasn’t here.”

“Pottery man” — Amit’s grad student Lior — spoke up promptly, “Fragment; strap-handle. Probably from an amphora; retrieved from an Iron Age exterior residential midden, stratigraphically undatable; maybe a small Canaanite jar, originally for transport, maybe afterwards re-used for domestic wine storage.”

Wayfarer hrrmphed again; it was the closest she was going to get to wine tonight, apparently. But she nodded at Lior, summarizing, “An undatable storage jar handle. Thank you.” She placed her finger in the loop of clay and held the fragment up once more. The shape was unremarkable, the construction was unremarkable. It was merely household waste; part of a broken, discarded wine jar. Very disappointing. Worse yet, she found herself in agreement with Rankle: the object was nothing special. It was an unremarkable fragment altogether, with nothing at all to recommend it for her further notice.

She was about to say so when something stopped her. Pulling her blunt finger out of the handle and looking underneath it for the source of a sensation of roughness against her skin she asked, “Does anyone have a dental mirror?” One was handed to her, and she slid it under the strap of clay.

On the underside of the handle, where it was invisible to the eye but would have been felt with the fingers of anyone picking up or pouring the vessel, the mirror reflected a small textured mark. It had been pressed into the clay while still soft: a geometric, elemental symbol that was very familiar to Dr. Wayfarer within the narrow context of her own literary subject.

Was this what Avsa wanted her to see – not a piece of pottery, but a character? Characters she knew something about. A character, Wayfarer thought, she might be able to do something with.

To be continued…

To read Part 5 “The Character”, click here.

Yesterday an MLO (Medium Large Owl) emerged fresh from the kiln, all mute greens and golds, looking wind-blown and content.  I’d built this owl outside on the back porch, in a plein-air studio annex location during our in-between-not-too-hot-not-too-cold season, and I put it back outside to save indoor shelf space. Anything on the porch is considered Part of the Field by the local wildlife: the raccoons drink from the water bucket on my work table, the finches and doves and cactus wrens forage around it, and Hoover the hand-tamed African Collared Dove, perched on it, hoo-ing, as he had all through the construction process.

<< Hoover on MLO (all photos A.Shock, click to embiggen)

For him, landing on the clay owl’s head to cock his seed-beady eye at me and beg for safflower and peanuts is no different from landing on a branch or a chair-back to seed-schnorr.

So, the next time you’re tempted to try to “scare birds” from your roof or garden with one of those Plastic Owls, here’s your pin-up poster of how effective it will be: Not.

Still, Good Feathery Detail is its own virtue — this plastic Snowy Owl purchased here in Phoenix (and fully 100% guaranteed to be totally unrecognizable as a threat to desert birds) became ours simply on the strength of its shapely molding and piercing yellow eyes.  It stands impotently in our herb garden perfectly disregarded by greens-pecking quail hens and greedy-cheeked rock squirrels.  Still, despite slightly opaque corneas (UV causes cataracts, you know!), you can tell from its expression that it takes its job very seriously. And in fact, we never have had even one lemming in the garden yet.

By the way, the Medium Large “Windblown” Owl (18″, top photo) will be available (without dove) at the Three Star Owl booth at the Verde Valley Birding and Nature Festival at the end of the month.  It’s hand-built, glazed stoneware, one of a kind, and perfectly suited to deter pests (or not) in your garden or outside living space.  (The cheap plastic snowy owl effigy is not for sale, sorry; we fear too greatly potential inroads of the arctic vole here in Phoenix.  You can’t be too vigilant when it comes to inroads, or so our governor tells us.)

This is the third installment of a series. Click on the link at the bottom of the page to continue to the next installment.  Or, click here to read from the very beginning. Previously:

“There’s half an hour until dinner. Would you like to see the object now?” After coming halfway around the world on short notice, she was being offered just half an hour of face time with the mystery object? Not damn likely. “Thanks, Wilson,” she said, “but it can wait until after dinner, I think. I’d like to chat with your staff.”

Wayfarer’s explanation

“Every museum in the world has some, imprisoned in drawers, supporting rodent traps in off-site storage lockers, hunkered down in the bottom of boxes with yellowing, silverfish-nibbled labels,” Professor Wayfarer was warming to her subject. Overhead a string of low-wattage bulbs twinkled, shedding a soft glow onto the dining tables at the dig camp. After dinner, her first night on site and against her better judgment, Wayfarer found herself explaining – more or less – why she was at Beit Bat Ya’anah.

She was at the excavation site at Avsa Szeringka’s request.  But that she was explaining why publicly was William A. Rankle’s fault: during the meal he had started in, critically, about Szeringka’s well-known professional eccentricities. In a different field, he didn’t know Avsa personally: he was just repeating hearsay, which irritated Wayfarer particularly. She felt she ought to put up some defense for a friend, even though she herself wasn’t entirely convinced of her colleague’s recent research direction. Pushing her plastic plate across the oilcloth table cover, the professor noticed that it was a cheerful printed version of the floral-on-white pattern of the eastern mediterranean faience glazes still common on clay tableware and tiles in the homes and suqs all over Israel and Lebanon, Rhodes and Cyprus, as well as excavated from ruins of the countryside. So much cultural division in this part of the world, she reflected, yet so much cultural continuity visible in the tools of everyday life.

She continued, “Every day these ‘mystery objects’ are re-discovered during routine organization and clean-up of collections; they’re liberated while searching for other accessions; they arrive well-wrapped in crated bequests and cartons of anonymous donations; they’re even unearthed alongside provenanced artifacts at excavations: the so-called unsecured antiquities.  Most of the time, however, they’re not even noticed. They’re the objects that no one knows what to do with, not the world-class ethno-pundits, the egg-head art history mavens, not even the archæo-techs with their analytical equipment or the archæo-geeks with their objective, impersonalized classification systems.” Not above this jab at Rankle, and never averse to holding forth in front of an audience, Wayfarer was in full spate. It was pleasant sitting under the high-starred indigo sky, her bobbed gray hair ruffled by a light breeze that was almost refreshing, with a group of attentive students listening to her over empty plates. Still no wine, but at least there were no mosquitoes, either, unlike in Lassiter.

“So, you’re trying to identify these unsecured antiquities?” asked the undergraduate, whose wasp-stung neck had sprouted a couple of painful-looking swellings.

“No, I’m an expert on neither archæology nor ancient history. My specialty is a body of literature in a language very few people outside the field have ever heard of. But a small number of my colleagues – Avsa Szeringka foremost among them – questions the likelihood that any culture would leave a substantial amount of written material behind them but no quotidian artifacts. She thinks the scattered numbers of bastard belongings – the unsecured antiquities currently unrecognized in university, museum and private collections all over the world could be ‘mined’ for candidate items, for the belongings of this crypto-culture, these hidden people.” That was sufficient; the students didn’t need to know the rest of Avsa’s controversial theories, and Rankle was already hostile enough.

Wayfarer noticed Zvi was watching the director now, whose mouth was set in an asymmetrical, skeptical line.  But the big grad student with the impressive beard was watching her.

“Unrecognized in museum collections?” he asked.

Rankle said, “Zohn thinks he’s interested in museum studies.”

A good-natured booming filled the space under the tarp and bowled Rankle’s condescending remark cleanly out into the desert. “I am interested in museum sciences,” Rory laughed.  “And I’d like to know what to keep an eye out for, since I’ve got an intern-fellowship starting next fall at the Ashmolean. The Tradescant Collection must be full of unsecured antiquities.”

“Exactly; it’s one of Avsa’s favorite places to dig for them,” commented Wayfarer, “Oxford is within easy range of the Szeringka Institute… you may run into her searching for things.”

“Like what kinds of things?”

Wayfarer shrugged. “Like spoons,” she said, holding hers up, “for instance.”  The professor knew the word spoon was usually good for a laugh, and the students obliged.

“I mean that fairly literally,” she told them. “Spoons have been around for millenia. It’s just the sort of thing that might show evidence of cultural personalization, or a declaration of ethnic association. It’s not uncommon for cultural cohorts without a dedicated homeland to maintain their social, ethnic, religious, or ancestral identity in their implements of daily life.” This didn’t seem like something she should need to explain to this group, in this place.

“You’re looking for a personalized spoon?” asked the wasp-stung undergrad. The maroon welts on his neck clashed with his bright blue Oriental Institute tee shirt, its white Achæmenid winged lion design cracked and sun-faded, and full of tiny holes at the letter-edges.

His tenacity made Wayfarer smile. “What’s your name, son? Well, Eric, perhaps not actually a spoon. But I would start by looking for an object with an identifying mark, a distinctive and perhaps unexpected characteristic.” Years of teaching had shown her that if you wanted students to understand, you had to speak their language. “A logo, if you will: like on your tee shirt. It could be a symbol, or a character, something that sets it, and its owner, apart from the neighbors. In fact you could say,” she wound up thematically aptly, “that we’re looking for an object like everything else around it, but not quite. As someone who studies language, I might say, an artifact with an accent.”

Rankle interrupted this lesson pragmatically. “Well, the generator goes off at nine pm sharp, so if you’d like to see your little unsecured antiquity in the light, you’d better do it soon.”

There were a dozen or so pairs of eyes on her. It didn’t seem as if this day was ever going to end, but Wayfarer stood up. “By all means,” she said, “let’s have a look.”

To be continued…

To read Part 4, “The Unsecured Antiquity”, click here.