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One more day — Camelback Studio Tour

This is the little white booth in the desert.  It’s Three Star Owl‘s show tent, currently set up in the backyard for the Camelback Studio Tour and housing an ever-decreasing number of objects.  It’s great fun to have people drop in and peruse the selection, marvel at E‘s epic number of specimen cactus and succulents, and maybe go home with a rαt-dog or a beastie mug.  And it’s fun to talk to folks, too, friends and strangers alike.  During the last couple of days, I’ve referred people to Mike Cone for cool cactus pots (mysteriously, I don’t have any for sale, currently), recommended the book “Desert Gardening for Beginners” from Native Seed Search, and talked to a man who used to work for the Pomona Tile Company in LA and who said he’d lost track of how many times he’d had lead poisoning — “you wait for the symptoms to go away and drink lots of milk” !!  (Just FYI, most contemporary potters, and certainly anyone making functional ware, don’t use lead in their glazes anymore, but lead compounds make beautiful colors.  They were used in ceramic glazes worldwide for thousands of years, and in the U.S. until the 1970s.)

Lots of pieces have found new homes, but there are still great items left.

<< Here’s one “Neither Fish Nor Fowl Tentacle Bottle”.

Also, this, a frog skeleton beastie creamer, about 4″ tall  >>

You can drop by Sunday, 10 – 5. Admission is free.  The open studios are artists’ homes in the Sherwood Heights subdivision of southern Scottsdale, between 56th Street and 60th, and Thomas and Oak.  More info here.

Also, we’ve got a 5.5 lb container of Red Vine licorice that needs desperately to be shared!

Posted by Allison on Oct 22nd 2011 | Filed in art/clay,Events,three star owl | Comments (2)

Come visit the Ossuary

Next Friday Saturday and Sunday Oct 21, 22, 23,  is the Camelback Studio Tour, and Three Star Owl will have wares available for you to peruse and perhaps purchase. Other artists’ studios nearby in the neighborhood will be open as well, with more than 20 artists offering their art for pre-holiday shopping. Support local artists and artisans and stop by: 10-5, free to enter all the studios.  Click here for details.

<< sneak peak of a piece that’s about to fly across the country

During the event, a new piece called “Ossuary, An Archæology of Resurrection (<< detail left) will be lurking in the corner, awaiting shipping to St.Louis for an upcoming show, “Death and Rebirth” at Maryville University, curated by James Ibur.  St. Louis artists Ruth Reese, Ron Fondaw, Eric Hoefer, Lili Bruer, Renee Deall, Tim Eberhardt, Mary Ann Swaine, Matt Wilt, Susan Bostwick, Jimmy Liu as well as national artists Amanda Jaffe, Chris Berti, Russell Wrankle, Kurt Weiser, Adrian Arleo, Arthur Gonzalez, Ben Ahlvers, Mark Messenger, Pete Halladay, Paula Smith, and Allison Shock will have work displayed from Nov 2, 2011  through  Friday, Dec 2, 2011.

Posted by Allison on Oct 18th 2011 | Filed in archaeology,art/clay,artefaux,close in,effigy vessels,Events,three star owl | Comments Off on Come visit the Ossuary

Upcoming Three Star Owl manifestations

A couple of Three Star Owl events you should know about are coming right up — these are your only two chances for pre-holiday shopping for Beastieware, Wazzoware and the like.  Both are Phoenix-area events:

The first is the Camelback Studio Tour, Fri Sat and Sun October 21 22 23, from 10am to 5pm.  My yard and tiny, cluttered studio space will be open to all, along with several other artists’ home studios in our neighborhood, pretty much within walking distance.  The work of 17 artists in a wide variety of media will be on display and for sale.  Details here, just click on the brochure or map links on the page for specifics.  As usual, come early for best selection!  Parking is a breeze, and the event is free.

In November, Audubon Arizona has revived its Gifts from Nature art/fundraiser, and I’m very excited that Three Star Owl has been invited to be part of this juried event, which features the nature-related work of Arizona artists in many media.  This year it will be on Saturday and Sunday, November 12 and 13 at the Nina Mason Pulliam Rio Salado Audubon Center, 3131 South Central Avenue in Phoenix, Arizona.  Keep an eye on this spot for more details.  A percent of all sales go to benefit Audubon Arizona.

Hope to see you there!

Posted by Allison on Oct 8th 2011 | Filed in art/clay,Events,three star owl | Comments (2)

Drawn in: The Curious Case of the Owl in the Notebook

The VLO (Very Large Owl) sculpture “Windblown Owl” found a new home recently.  The next VLO is underway, currently drying and eventually migrating to a client in California (shhhh, it’s a surprise), and I wanted to use the same greenish-golden surface coloring and glazing effect on the new owl.

I had a basic idea of what had been applied to “Windblown”, but I needed specifics.  That meant doing a bit of sleuthing.  The obvious place to start was my own notebook, which by means of hasty drawings, measurements, and notes records much if not all Three Star Owl clay work, theoretically in detail, although in practice I’m not always as good about it as I should be.  Happily, next to a small sketch, I found helpful marginalia on the slips and glazes used on “Windblown”.

Windblown Owl VLO sketch (photo and drawing A.Shock, click to enlarge) >>

I enjoyed revisiting the drawing, which made me smile, the owl looks so much like a dog riding in a car with its head out the window.  The discoloration of the white background page is a photo-editing effect, a result of mercilessly and excessively bumping the contrast for more stimulating web viewing, as is the ability to see the drawings on the back side of the page, which in the actual book are only faint ghosts of lines.  Shades of paleographical or even forensic document investigation:

  • “I say, Holmes, you can see right through the page!”
  • “Precisely, Watson.  Evidently our potter had made a bowl with a conical foot and hummingbird squares stamped on it, some little time before glazing the large nocturnal bird.”
  • “By Jove, Holmes, how can you possibly know that there were hummingbirds on the bowl?”
  • “Because I’m eating my porridge out of it right now.”
  • [Watson chuckles] “Capital, Holmes — a bowl with cleverly stamped hummingbirds on it.  Well done!”
  • “And, may I add, my dear fellow, it’s made entirely by hand…”

By the way, definitely Rathbone and Bruce, here, I’d say. Brett and Hardwicke would never have shilled for Three Star Owl.

Posted by Allison on Sep 16th 2011 | Filed in art/clay,drawn in,effigy vessels,owls,three star owl | Comments (7)

What happened at Beit Bat Ya’anah: part 12

This is the twelfth installment of a series. There’s a link at the bottom of the page to the thirteenth installment.  Read Part 11 by clicking here, or start at the very beginning by clicking here.

Previously:

After encountering an anomalous fragment of pottery decorated with a bee and a possible flower, the Beit Bat Ya’anah staff were hotly debating its origins. Leaving them to it and wandering out across the moonlit compound, Professor Wayfarer had recalled a fragment of poetry with a similar motif, causing her to wonder who the people were who had made this rocky site their home.

The Nature of the Hill: secrets and surprises

Outside the lab building, Einer Wayfarer glanced at her watch.  It was not quite 8.30, and she was ready for bed, unaccustomed to the long active hours on the hill, which were so different from her sedentary days behind a desk in her office, at the library, or in the classroom. She was surprised to find that she could read the hands of her wristwatch in the moonlight – the waxing moon was only slightly more than half full, yet she noticed her squat shadow running ahead of her sharp along the stony ground. In Lassiter the lardy moon was never this bright, even full. Here, colors were discernible in the clear desert moonlight. You could read poetry by it, Wayfarer thought – hell, you could write poetry by it, if you were that sort of person. If you were that sort of person.

As though intent on enabling such romantic pursuits, the moon lit two spots of bright color as the professor passed downhill of the shadowed dining tent: aniline pink hair and a man’s white shirt – two figures, leaning together against the end of one of the tables. Mikka the ex-cook/photographer and the elusive Dario had found a way to pass the evening that didn’t involve tiresome record-keeping in the ill-lit lab.

Unsurprised, Wayfarer looked and then looked away. To judge by the intimacy of their embrace, she concluded that the rearrangement of kitchen duties hadn’t impaired their acquaintance. It occurred to her to sympathize briefly with Avsa Szeringka for having to supervise the young man as a graduate student.  He seemed to be expert at simultaneously eluding unwanted contact and attracting attention to himself, a curiously infuriating skill set for an academic advisor to wrangle, and likely to create disruptions in a research setting.

Less earthily and more celestially, it also seemed to Wayfarer that the gibbous moon was in a forthcoming mood, naughtily giving up other people’s secrets to anyone who was paying attention. It would be foolish to not take advantage of its revelations, so she changed her mind about heading to bed. Instead, she climbed upward to the crest of the ridge where she had first stood with Wilson Rankle, just yesterday. She arrived at the top, puffing slightly and disappointed in her hope for a slight breeze.

Catching her breath, she looked down on the site. Einer Wayfarer was not superstitious, or prone to fancy. But she was also not unimaginative: over the years, she had acceptably and productively harnessed an active imagination to the yoke of scholarly creative thought. So although she didn’t expect to see a ghostly diorama of moonlit re-creation laid out before her — an ancient town’s crenellated stone-and-mud walls dimly peopled by long-dead shades of priests and goat-herds and potters and children and soldiers and dogs, shouting and tending smoky cooking fires, chasing screeching chickens, drinking wine, dying clothes, writing letters, and tanning hides — she was open to the possibility that the site, seen quite literally in a new light (to use that well-worn cliché she deplored in less careful academic writers) might show her something she hadn’t observed before, something more human than the dry chronological classifications recited by Wilson Rankle in the glare of daylight.

And she was not too stuffy to wish for a time machine to confirm such imaginings, since the methods of archeologists seemed to her, paradoxically, to be both technically sterile and too subjective all at once. Whereas one could easily imagine these walls long ago corralling all the same activities that people engage in today – cooking, lying, loving, keeping secrets, making mistakes, laughing, prevailing, struggling – it was the surprises, the things you’d never guess, that interested Einer Wayfarer. It was in surprises where progress lay in understanding ancient lives, in fleshing out people who lived long ago.  Surprises like a jar handle bearing a hidden ambiguous symbol, a painted bee drawn to an exotic flower on a sherd, and a young man whose tapped initial Rs and slightly retroflected Ss were not fully explained by either southern European origin or Scottish influence.

As she moved along the ridge to a better vantage point, she realized she wasn’t alone. Just ahead of her, perched on a flat rock, sat Amit Chayes.

“Does no one around here sleep?” she asked.

“Sleep? It’s still early,” Chayes said, turning. “Erev tov, Einer. Please sit,” he invited her. “Doing what?”

“Seeing what the moon has to show. And you?”

“The same. And the tables were occupied.”

Wayfarer chuckled. “Danish lessons, do you suppose?”

“I can remember being so young, can’t you?” Chayes smiled. “I met my wife on a dig. These things are to be expected — it’s natural.”

“Indeed it is,” Wayfarer said, not answering his actual question, and doubting the pertinence of matrimony in this instance. “In fact, Rory Zohn was just touting the advantage of working within natural systems, although his example was aptitude for cooking, not sex.”

“If camp gossip is true, perhaps in this case it’s related,” Chayes laughed. “Well, I should spend more time in the lab. I didn’t know discussion there was so intellectual, usually.”

“It seems like you’ve put together a fairly good crew.”

“Young, but good,” he agreed. “Pretty good. Some hard workers, some needing a bit more guidance, more experience. As usual. We were lucky: except for Zvia Ben-Tor, who requested to come, our permit came so late the crew was filled in the last minute with overflow from other site applicants.”

“Why is that?”

“The government is preoccupied with the Lebanese events. And so many archeologists are called up for military service at times like this, the Reshut HaAtikot — the IAA — is slowed down to an even less efficient pace than usual. Our small site had low priority.”

“Why are you digging here, Amit?” Wayfarer asked. She looked out over the hill, onto the squares making an orderly framework deeply cut against the pale, stony hilltop. Within the inky pits were dim outlines of walls and floors, none complete, few rectilinear, not at all aligned with the carefully surveyed lines of the archæologists’ grid, running their own imprecise, human-laid courses under the sternly oriented, scientifically imposed balks.

“Ah, the staff have been complaining to you,” Chayes stated, answering her meaning and not her words. “The simplest answer is archeological: because there are so few remains later than the Bronze Age at the site the Chalcolithic and even earlier levels, if present, should be relatively well-preserved. But also…” He glanced over his shoulder at the sheer cliffs that rose above the site a few hundred meters from where they sat. “I think that the place has… Well, to say it has secrets is too dramatic; all archeological sites have secrets; it’s their nature. So, I will say instead surprises. For instance, I was hoping you’d confirm that character on the amphora handle as wehériəl.

His words resonated uncannily with her earlier thoughts. “You’re looking for evidence of Elennui culture?” Wayfarer asked. “That is a surprise.”

Chayes shook his head, “No; no, I’m not looking. That’s unsound technique in our field: you almost always find what you look for. But, if it were to show up, that would be a surprise.”  He shrugged. “So, I hoped the symbol was evidence that Elennui speakers have lived here.”

Wayfarer cleared her throat. “I wish I could have confirmed it, but…”

The archeologist waved a hand. “No; of course. It was sound scholarship, much more important. And no matter – there is still much dirt to move.”

“Who has lived here?” she asked. Responding to Szeringka’s peremptory summons, Wayfarer hadn’t had time to read site reports, and Rankle’s dull orientation had meant little to her.

Chayes paused before responding. “Do you mean people of the Bible?”

She supposed he was accustomed to that question, perhaps irked by it. She replied, “No, that’s not my bias. I simply mean people.  Any people, of any book.  Or of no book. Who has lived here?”

“This is Israel – who hasn’t lived here?  Over the millenia, this ridge has been occupied by foreign soldiers; nomads from far and near; tale-telling hunter-gatherers with stone tools; well-organized patriarchs with scribes and cisterns, pottery and laws; zionist idealists; entrepreneurial ostrich farmers. Optimistic archeologists. People who left things, and people who are looking for those things. People hoping for secrets – surprises. But the site has kept its secrets well, I would say.”

“So, it’s not a tell…” Wayfarer punned, not sure Chayes’s English was colloquial enough to catch it.

He shrugged and made a literal reply. “Our hill is not a tel, technically.  Just superimposed occupation levels along a ridge – most of the topography is geologic, natural – piled up outwash from the upper wadi, now eroding slowly. But I understand your joke – and no; it is not a tell, in any sense. Especially in one way,” Chayes added, “the site has been entirely mute. The staff is right – Beit Bat Ya’anah is missing something.”

Wayfarer waited.

“We’ve sounded, and surface-surveyed across the whole ridge, and even searched downstream in the wadi. It’s a small but enduring habitation: one would expect…” the archeologist broke off, then finished bluntly, “No bones, no teeth. No evidence of burials or any human remains.”  He shrugged once again.  “Well, as I say, there is much dirt yet to move.”  Chayes turned back to the moonlit walls below, perhaps again hoping to be shown secrets, or at least surprises.

Einer Wayfarer took the hint, and stood to go. But she couldn’t keep from asking one more question. “Ostrich farmers?”

“You don’t know the meaning of Beit Bat Ya’anah?” Chayes asked.  “ya’anah is the female form of ya’en, ostrich. The name means ‘House of the Ostrich’s Daughter’. Ask Moshe sometime – he loves to tell that story.”

To be continued…

To read the next installment, Part 13 “Correspondence” click here

Posted by Allison on Aug 27th 2011 | Filed in archaeology,art/clay,artefaux,Beit Bat Ya'anah | Comments (4)

Tucson in the rearview mirror: and…

I rolled back into Phoenix from Tucson earlier today — the drive seemed nearly instantaneous and was marvelously uneventful, although I did miss the bumper crop of towering dust devils swirling in the dry creosote flats on the Gila River reservation that I’d seen on the way down but was unable to photograph safely from the driver’s seat.  And the windshield made the trip intact, unlike last time.  And once again I failed to stop at the ostrich farm to take pictures as intended, but it was smack in the middle of the day as I zipped by, and it was so damn hot…

Emma the (real live) Desert Box Turtle nose to nose with a clay coati >>

So now I’m at home being given Stink Back by the felines, coddling the pool back to cleanliness after a dust storm that hit after I left, and rounding up moribund insect life that had made indoor sport for the same felines in my absence, and the email is working again as inexplicably as it wasn’t working earlier, and things may return to normal soon.  The Tucson Bird and Wildlife Festival was a good show, sales-wise, and I got a chance to meet new folks, visit with bird festival friends, and send Three Star Owl pieces off to new homes, which is always a good thing.  If you missed the Festival, be sure to look into it next year. Thanks, Tucson Audubon Society, for a great effort and a well-organized and graciously hosted first-time event!

Even better, I had some fun with friends — I stayed with Kate, and she and Dustin and I talked and ate good food, and I met JoJo and Dave and saw Bri’s fine octopus (oh, if I’d only gotten a picture: my sub-theme here seems to be missed shots), and netflixstreamed Jim Jarmusch’s film Dead Man, and went to Copper Country resale emporium (see swell carved boxes scored there >>), and ogled their current beading frenzy.  As usual I left her home feeling that I’d taken away more than I’d left behind, which was physically true because Kate sent me away with many excellent things like harlequin boxes and an articulated silver manpart charm (with a chain to pull to make it either alert or waggle), and more.  I can’t show you the very special thing that came home with me, because I have to check with Dustin first, and show it to E (for whom it’s intended) but I will later, maybe.  And we saw the Gargoyle House >>

And now I’ve got to be ready to hit the ground running, because there is a lot to do, like get the owls to their people…

Posted by Allison on Aug 22nd 2011 | Filed in art/clay,effigy vessels,Events,field trips,reptiles and amphibians,three star owl | Comments Off on Tucson in the rearview mirror: and…

Owl whistle necklaces

Update as of Monday 22Aug: thanks for all of your enthusiastic responses!  And thanks to Kate McKinnon for posting them, and loaning me the fine box they were roosting in, too!  All the owl whistle necklaces have found new homes — the owl/owl-craver ratio was excellent, and there was only a little disappointment.  If you’d like to be contacted when a new batch is ready to go, please email me.  If you are one of the owl-owners, I will invoice you through PayPal soon after you send me your mailing address, and ship your owl to you after that.  Thanks again, everyone!

Here they are; the six remaining clay “retro” owl whistles from Three Star Owl. They’re all different, and strung either on black faux leather lacing or brown suede lacing. Each has a suitable smaller bead above it. Each necklace is $42, and can be yours if you contact me ASAP on the contact page; it’ll be a first-come-first-served sort of arrangement (perhaps include a second choice?). They’ll be going back into the public eye at the Tucson Bird and Nature Festival tomorrow morning. (Colors in photo are not exactly perfect but fairly close.)

Posted by Allison on Aug 19th 2011 | Filed in art/clay,close in,owls,three star owl | Comments (1)

Postcard from Tucson

Three Star Owl is at the Tucson Bird and Wildlife Festival, at the Riverpark Inn just west of I-10 at the Congress Ave exit. I’ll be here from 8 to 5 today and tomorrow (Friday and Saturday 19-20 Aug). Come by soon, things are finding new homes at a fast clip!

Posted by Allison on Aug 19th 2011 | Filed in art/clay,effigy vessels,Events,three star owl | Comments Off on Postcard from Tucson

Blue moon month for Three Star Owl!

Well, it’s never happened before, but Three Star Owl has two sales events in southern Arizona in less than two weeks!

Frog skeleton creamer (approx 4″ ht) >>

Close on the heels of the Southwest Wings Festival, Three Star Owl will be at the first ever Tucson Audubon Society’s Tucson Bird and Wildlife Festival this week.  The Festival is at the Riverpark Inn just off I-10 in Tucson.  On Friday and Saturday from 8am to 5pm I’ll be set up in the Marketplace with other vendors, in the main ballroom right off the lobby of the hotel. For more info about the Festival in general, click here.

As usual for birding festivals, there’s no entrance fee for the vending area, so drop in and say hello to Cranky Owlet and check out the wares!

Posted by Allison on Aug 17th 2011 | Filed in art/clay,Events,three star owl | Comments Off on Blue moon month for Three Star Owl!

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