And they’re not just for birders.

Brightly colored, biologically faithful yet spirited portraits of native birds, reptiles, and mammals, Three Star Owl Magnets will stick firmly to your fridge or your uncle’s steel cranial plate.  Celebrate a life-bird, a yard-bird, or a favorite bird, insect, reptile, amphibian or mammal — if I don’t have it in stock, request your species of choice, there’s no extra charge for special orders.  They’re easy to pack or mail because they’re small and sturdy, so they’re great as gifts, stocking-stuffers, or thank-you gifts for people who let you stay with them, your favorite birding guide or trip leader, the birder who put you on to the the Lesser Nighthawk you thought was a branch, or yourself.  You get the picture.

Each magnet is a brightly glazed stoneware tile with a strong magnet on the back, with deckled edges and the species name on the back.  The tiles vary in shape and size, but are approximately 2″ x 3″ and have lively, irregular outlines. They’re the most affordable item in the Three Star Owl repertoire, yet each one is a unique, entirely handmade and signed tiny Work of Art.  $16 each, or 3 for $45 (Shipping and insurance additional.  No bulk orders or wholesale, please).  More details (or, lots of the same ones all over again) on the Shop page.

For those who require a bit more item for their needs, be sure to check out the Hanging Wall Tiles — bigger, more detailed, and ready to hang with hand-made beads on faux-leather or copper wire hangers.

Please be aware that the magnets shown here are samples only, not all are in stock.  Inquire for availability.

Important note for birders: Three Star Owl is not responsible for jinxing people who purchase items with species they haven’t seen yet.  Like, you don’t see my fridge rocking a Great Gray Owl…

(For you unstoppable ID-ers, the magnets above from left to right and top to bottom are: Lazuli bunting, Lawrence’s goldfinch, Barn owl, Western tanager, Vermilion flycatcher, Blue grosbeak, Coralsnake, Costa’s hummingbird.)

The final increments of the imperturbable Stacked Toad Teapot Effigy (or Toadstack for short) have been completed, and after months of being alternately obsessed on and ignored, left alone and detailed, the piece is finished and ready for its destination.  Here are its last two phases: a final coat of white terra sigillata (super-fine suspension of clay in water), and smoke-firing.

The Toadstack looks bleached because it’s had a second layer of terra sigillata brushed onto it, and lightly buffed back, so it remains mostly in the low points of the textures.  Terra sigillata is slip — clay and water and sometimes a mineral colorant — but the clay particles in it are finer than regular slip mixtures, so the surface can be buffed with a cloth or even the fingers to a satiny sheen.  The second photo is for later comparison: it’s a close-up of the skin of the red-spotted toad: if all goes as planned, what’s white will turn smokey brown-black, and what’s red will be a mix of red and black randomly.

Next the Toadstack is loaded into the galvanized trash can “kiln”.  Surrounded by shredded paper and sawdust of two chunkinesses, and some pine twigs and needles from the Hen’s tree, it will be completely covered before lighting.  Here in Phoenix you’ve got to remember to call Maricopa County Air Quality hotline before ignition to make sure there are no wood-burning bans in place, which this night, there weren’t.  The weather was perfect: cool, and with only a light breeze and no burn-bans, so I torched the can.  The dry combustibles burn fairly fast and sweet-smelling because I use both cedar chips and mesquite twigs from our trees, so within a couple of hours the smoke has dwindled to nearly nothing.  But even after the fire burns down, the heat is still fierce.  If the pieces were to be removed into the cool air they could crack, so I clamp the can’s lid on and let them cool overnight.  The next morning I opened the “kiln”, and unpacked the pieces.  The kiln fates were kind, and no cracks or other problems found, so the Toadstack was taken inside and cleaned up a bit for photographing.  Here is the comparison close-up of the Red-spotted toad’s skin — all is well, and the smoke has made its dramatic and unpredictable changes:

The Stacked Toad Teapot Effigy is destined to be shown at the “Potters as Sculptors, Sculptors as Potters” show organized by St. Louis artist James Ibur at NCECA this year, so it’s hardly fair to unveil it before the opening.  The exhibition will be at:

Mesa Community College, 1833 W. Southern Avenue, 480-461-7524.  Navajo Room, Kirk Student Center  Apr 6-11, 2009.  Mon-Fri 9:00a.m.- 5:00p.m., Sat 9:00a.m.- 2:00p.m.

Potters as Sculptors; Sculptors as Potters: artists included are Dan Anderson, Jeri Au, Dan Barnett, Chris Berti, Victor Bassman, Peter Beasecker, Gina Bobrowski, Susan Bostwick, Joe Bova, Andy Brayman, Wayne Branum, Bill Broulliard, Richard Burkett, Doug Casebeer, Joe Chesla, Linda Christiansen, Eddie Dominguez, Renee Deall, Josh DeWeese, Paul Dresang, Rick Dunn, Tim Eberhardt, Shanna Fliegel, Debra Fritts, Gloria Fuchs, Julia Galloway, Pete Halladay, Sam Harvey, Rick Hensley, Jason Hess, Eric Hoefer, James Ibur, Nick Joerling, Steve Lee, Jimmy Liu, Beth Lo, Allegheny Meadows, Ron Meyers, Boomer Moore, Eric Nichols, Brooke Noble, Lisa Orr, Donna Polseno, Liz Quackenbush, Ruth Reese, Dave Regan, Don Reitz, Allison Shock, Chris Staley, Richard Swanson, Kurt Weiser, Matt Wilt, Betty Woodman, Russell Wrankle, and Luo Xioping.  Utility is the core concept of the show: How does a person working in clay approach it if that is the primary focus of their work?  If it is not, how do they perceive function when it is juxtaposed against their non-functional art?  Many ceramic artists explore and/or exist equally in both the world of function and sculpture.  In this exhibition, the artists will be exhibiting work that explores both of these ideas by presenting two pieces of their work.  Organized by James Ibur.

I’m exhibiting two pieces, the Stacked Toad Teapot Effigy (Toadlier than Teapotly), and Venomosity, a Gila-monster inspired Beastie vessel.

There will be a free reception, open to the public, on the evening of Friday April 10, in the Navajo Room (location, above). Everyone’s invited!

If you can’t make the reception at the Mesa Community College, you’ll have to wait for one Final Increment on this website…  Until then, here is a sneak preview of Venomosity ➤➤

…peevish thoughts.

Late post (Sunday 8 March 2009):

Hello from San Diego, where today is the last day of the San Diego Audubon Bird Festival.  Things have been busy here, and I haven’t had a chance to post until now.  The Festival is at the Marina Conference Center right on Mission Bay — here’s a shot of the Three Star Owl booth.  It’s nice to be in a room with windows and a view.  So many facilities are completely interior and have things like accordion walls with scotch tape holding up a leftover honeycomb wedding bell that was too high for the cleanup crew to reach.  This room is wood-panelled and bright, and looks out onto a marina.  Nice!

E was able to come along and help, which is a treat because then each of us had an opportunity to go on a field trip.  He’s doing a San Diego River outing as I write this, and yesterday I joined a pelagic trip out to the Islas Coronadas, a small grouping of islands in Mexican water within sight of San Diego.  The room is still swaying a bit this morning, although by Pacific standards the seas weren’t rough. My little camera doesn’t do distant birds well, so I don’t have a picture of what was for me the highlight of the trip, several pairs of small alcids (a type of sea bird) called Xantus’s murrelets, which, although we had great looks, would never be more than little black and white blobs bobbing on the waves in my photos.  There were many excellent sea birds to be seen, but also mammals, including close looks at Gray Whales migrating north, and four species of dolphins: Risso’s, Common, Pacific white-sided and Bottlenosed, who larked under the bows, close enough so that we could hear them exhale when they surfaced. Above is a photo of something my camera can handle — a California sea lion beach-master with his harem.

In case you’re a non-birder, and don’t know what birders do at bird festivals, the main events are organized field trips to local hot-spots, led by experts, to look at birds.  The exhibit room has exhibitors like state Fish & Game people or the American Birding Association giving out info, and vendors with bird and nature related supplies, photos, and art for sale (like Three Star Owl).  Optics manufacturers have reps there, so that attendees can check out scopes and binox.  Occasionally impromptu viewings break out, such as when a Merlin was spotted atop a mast in the Marina, and the line of demo scopes was commandeered for viewing.  Pretty heady times!

Stay tuned: on the way home E and I stopped at the Mud Volcano site on the Salton Sea for a spot of sampling and marvelling at gloopy mud-blorping “gryphons”.

This is the week of the San Diego Birding Festival at the Marina Conference Center right on Mission Bay.  The keynote speaker will be David Allen Sibley, the artist and author of the Sibley field guides to the birds of North America, which are considered some of the top field guides available.  Many of the field trips are full, but there are spaces left and last-mintue cancellations, plus there’s lots to do at the Festival besides field trips: lectures, workshops, local self-guided birding, and shopping — come by Three Star Owl and say Hi!

I’ve got the usual assortment of owls, non-owl birds (!), and reptiles, plus I’ve included some coastal and California species for the occasion, like the Eared Grebe hanging tile pictured here.  Also, this show marks the West Coast debut of “rat-dogs” — generic mammal-form pieces that look like they might bite, or communicate a disease.  Take one home if you dare.

For more details, see here and here.

The Stacked Toad Teapot Effigy is alive and well, so far.

After languishing at the back of a shelf in the studio for many weeks wrapped in damp paper towels and layers and layers of plastic film, the Stacked Toad Teapot Effigy has finally been fully sculpted and is drying, awaiting further surface treatment (terra sigillata and slips) and firings.  Between the last episode and now, I’ve added a new under-toad hanging upside down off of the main toad’s belly, and refined the detail of the piece, textured all the toads, and cleaned up the crannies.

If you’re having a tough time seeing why it’s a teapot effigy (and it is Toadlier than Teapotly), here’s a visual aid:

Remember the issue of pentadactyly in the studio and the fact that unlike the majority of tetrapods toads have only 4 digits on their front pair of limbs?  Here are the final numbers:  Potential (actual biological) toe count: 7 (# of toads) x 18 (# of toes each toad has) = 126!!  One hundred and twenty six toes on a piece that’s less than 12″ tall!  Yikes!  Does it have 126 toad toes?  No: Actual toe count = 108:   This is known as artistic license which can also be expressed as Biological digit defecit: 14.3%.  A close call! — it’s generally considered that greater than 15% and it becomes Grossly Inaccurate (over 25% and it’s just Wrong). There are, however, the requisite number of paratoid glands — 14 — in case you were wondering.  And, the flying insect “finial” has no toes at all — too tiny.

…just because this photo of Jack’s King vulture waiting to be taken home makes me laugh.

I’ve been working hard on pieces for the San Diego Audubon Birding Festival, which is coming right up.  While glazing a wall tile with the portrait of a male Surf scoter and looking at photo resources of scoters, I realized I was being treated to another pervious nostril!

It doesn’t show so much in this photo, but scoters, like cathartid vultures, have pervious, or “see-through” nostrils.  In Audubon’s professionally terse words:

Nostrils sub-medial, elliptical, large, pervious, near the ridge.

–John James Audubon, Birds of America, Family XXXIX. ANATINAE. DUCKS. GENUS V. FULIGULA. SEA-DUCK.

If you don’t know scoters, they’re sturdy North American sea ducks who breed in Alaska and northern Canada and winter along both coasts of the U.S.  They dive for a living.  The picture above, by photographer Alan D. Wilson, is a male Surf scoter (Melanitta perspicillata) at Bolsa Chica reserve, in California.  It shows the handsome bird with what is too frequently described as a “clownish bill”, gliding in the blue backwater of Bolsa Chica Wetlands.  If you’re wondering why the “clownish bill” is so big, scoters eat hard food, some of which — like blue mussels — needs to be pried off of rocks underwater.  In summer, they favor marine invertebrates, in winter, mostly molluscs.

As for the pervious nostril in scoters, I haven’t turned up a definitive discussion yet, but most sea birds need to rid their systems of salt, often by sneezing or dribbling it out through the nostrils, and have evolved various nostrillar adaptions (again, a technical term) to do so: pervious nostrils would not easily become clogged with expelled salt crystals.

To the left is Audubon’s plate of Surf scoters — at the time called Surf Ducks — from Birds of America

Three Star Owl will be at the San Diego Birding Festival in Mission Bay San Diego, 5-8 March 2009.

Great news!  Sharon Stiteler of Birdchick.com fame ran a contest for guest-bloggers while she’s out of the country, and Three Star Owl is her selection for Friday’s guest post!  Regular Three Star Owl readers will recognize the entry as a post from this web journal, Vertical Napping Bark, which is one of my favorites because of the lucky shot of the Great horned owl with downy chick in a snag, demonstrating the beauty of Owly Invisibility very well.

[The image to the right is a digitally-altered photo of the breast feather vermiculation (= Latin for “wormy pattern”) that makes Great horned owls so invisible.]

If you’ve found your way to Three Star Owl from the Birdchick site, Welcome (Cranky Owlet says Hmph!), and take a look around: there’s lots of birdy art in the Gallery and Shop, and posts at the Journal on a variety of topics like birds, clay art, natural history and more!  Make yourself at home, and come back any time.

Thanks, Sharon, and have a great time in Guatemala!

Oh, and in my excitement, I forgot to mention that Swarovski Optik, makers of excellent binox and scopes, and beeooteeful crystal, is helping Sharon sponsor the contest.